Utrecht Manifest - 2nd biennale for social design


 

Utrecht Manifest is an international cultural biennial, which perceives contemporary developments in design and architecture from a social perspective. The biennial shows how architecture and design, in the past and present, have looked for answers to social and cultural questions connected to innovation, quality and sustainability.

The biennial searches for connections between design, architecture and other cultural expressions such as film, theatre and literature, in order to stimulate the public and political debate. The aim is to reinforce the role of design and architecture in developing coherent agendas for social and cultural innovation.

The biennale presents a wide array of exhibitions, debates, symposium, workshops and a satellite program.

Lovely Language (exhibition)
In the 1920s, the Austrian sociologist Otto Neurath (1882–1945) developed an international visual language, for which the German-Dutch graphic artist Gerd Arntz (1900–1988) designed more than 4,000 pictograms. Neurath’s motto – ‘words divide, images unite’ – is the point of departure for the Lovely Language exhibition. Many of the duo’s designs were the forebears of pictograms we now encounter everywhere, such as the man and woman on toilet doors.

 

A Safe Place - Pictograms for Disaster Areas (exhibition)
Television, radio, newspapers and the Internet treat disasters as happenings. Clear communication between the local population, any foreign tourists and the international aid workers is critical for every kind of disaster. Gert Dumbar, the renowned graphic designer, devised a sketch proposal of universal pictograms for humanitarian relief organizations together with his son Derk. These important designs are being presented for the first time in this exhibition.

Instant Ease (exhibition)
A project about changing consumption patterns. Consumers are bombarded with marketing strategies for healthy, environmentally conscious and animal-friendly products. Is this indicative of social responsibility or of an astute pursuit of profit? The artists Tijmen Hauer (video), Ronald Nijhof (installations) and the duo Pacôme Beru & Samir Rougas (installations/multimedia) react to this development with new works.

Visit the website to discover the whole program. 

tags: events, sustainable, exhibitions, conference
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3 comments so far:
WoofWoof's Gravatar WoofWoof, on December 11:

Don't like the Safe Palce pictogram. Manle figure secluded from family bond...as if expendable, irrelavent.. Bad design IMHO!
Gustavo's Gravatar Gustavo, on December 11:

wow wow wow
Manifest ( a mani fest) = social design
I coudn,t be happier!
Thanks P&A!

I,ll go on reading…
Koen's Gravatar Koen, on December 23:

This is one of these challenging questions, not because of it's final goal, which we all suscribe to, but because of the chosen strategy. I do not think that there is anything wrong with reminding designers about their social responsability, but I have to question the extend to which that responsability can be exercised. Is the graphic designer that was asked to re-design the BP (British Petroleum...now Beyond Petroleum) from the Heraldic BP logo into the yellow sun that turns green on the edges, really co-responsible for the subsequent neglect of workers safety for which BP was responsible, or for supporting finacially those U.S. politicians that oppose environmental legislation, as BP does? In my field, industrial design, I believe very strongly that the designer has to have the knowledge that allows her or him to inform the client properly about the environmental impact of the design, but on the other hand I know by experience that you have to accept that products are sold at a higher price than needed if the manufacturer and even more so their marketeers believe that the product is worth the higher price. There are in our professions influences that we would like to exercise but that are beyond the scope of our authority. I for one would not want to claim that autority, not because we would abuse it, but it is not up to us, but up to democraticaly politicians to elaborate the bounderies within which the industry and thus it's designers have to work. I am not adhering completely to the theories made popular by the Chicago School of Economics, but we can not expect a profession or an human activity like business or manufacturing to be anything else than what they are. The legislator has to provide for the social guidelines that will set the limits for the activities of companies. The alternative is what we see now, vaste P.R. efforts to either give a brand either the necessary "greenwashing" or a "social" stamp of approval. The end result is an un-controlled development of rules and standards like the LEED standards that are sometimes well intentioned but most of the time self-servant and in-adequat. If we want society to evolve, to provide for a more socially balanced environment, equality of opportunity etc. we have to elect the right politicians. If on top of that individual designers, architects, entrepreneurs etc. want to do more, that's fine with me but it should not be left to these well willing souls to achieve what we can achieve democratically.

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