| Utrecht Manifest is an international cultural biennial, which perceives contemporary developments in design and architecture from a social perspective. The biennial shows how architecture and design, in the past and present, have looked for answers to social and cultural questions connected to innovation, quality and sustainability. The biennial searches for connections between design, architecture and other cultural expressions such as film, theatre and literature, in order to stimulate the public and political debate. The aim is to reinforce the role of design and architecture in developing coherent agendas for social and cultural innovation. |
The biennale presents a wide array of exhibitions, debates, symposium, workshops and a satellite program.
Lovely Language (exhibition)
In the 1920s, the Austrian sociologist Otto Neurath (1882–1945) developed an international visual language, for which the German-Dutch graphic artist Gerd Arntz (1900–1988) designed more than 4,000 pictograms. Neurath’s motto – ‘words divide, images unite’ – is the point of departure for the Lovely Language exhibition. Many of the duo’s designs were the forebears of pictograms we now encounter everywhere, such as the man and woman on toilet doors.
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 | A Safe Place - Pictograms for Disaster Areas (exhibition) Television, radio, newspapers and the Internet treat disasters as happenings. Clear communication between the local population, any foreign tourists and the international aid workers is critical for every kind of disaster. Gert Dumbar, the renowned graphic designer, devised a sketch proposal of universal pictograms for humanitarian relief organizations together with his son Derk. These important designs are being presented for the first time in this exhibition. |
Instant Ease (exhibition)
A project about changing consumption patterns. Consumers are bombarded with marketing strategies for healthy, environmentally conscious and animal-friendly products. Is this indicative of social responsibility or of an astute pursuit of profit? The artists Tijmen Hauer (video), Ronald Nijhof (installations) and the duo Pacôme Beru & Samir Rougas (installations/multimedia) react to this development with new works.

Visit the website to discover the whole program.
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Don't like the Safe Palce pictogram. Manle figure secluded from family bond...as if expendable, irrelavent.. Bad design IMHO!