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Knoll Reduces Greenhouse Gas Emissions

Knoll Reduces Greenhouse Gas Emissions by 10.4%, Two Years Ahead of Schedule.

 

In 2008, Knoll initiated a program to offset greenhouse gases at the Lubin Building in East Greenville, PA, with electricity generated from wind power. The initiative is part of the Knoll program to reduce emissions via membership in CCX.

Knoll announced that it has reached its 2010 goal of an additional 2% reduction in greenhouse gas emissions over its Phase 1 results as part of its program with the Chicago Climate Exchange (CCX). In Phase 1 of the CCX program, initiated in 2006, Knoll achieved an 8.8% reduction in carbon dioxide emissions over the 1998-2001 baseline. Knoll, an active member of CCX, has used its CCX partnership to guide its climate change program, educate its sales force and associates in its manufacturing facilities and set the standard its operations managers use to achieve the company's reduction of greenhouse gases.
Reaching the 2010 reduction goal means that over the five year period, beginning in 2003, Knoll avoided 10.4% of expected greenhouse gas emissions, as compared to the baseline emissions of 1998-2001. During this period Knoll significantly increased it sales and operating profits, demonstrating that economic growth and environmental responsibility can be achieved simultaneously.

In November 2007 Knoll announced that it had successfully completed Phase 1 of the CCX greenhouse gas reduction requirements, achieving an 8.8% reduction in carbon dioxide emissions over the 1998-2001 baseline. This exceeded the required 4% reduction in carbon dioxide emissions in the Phase 1 period by 4.8%.

Knoll used many different tactics to reduce its environmental footprint in the short time frame, which were augmented by employee education and engagement around these issues. Examples of environmental best practices used include: using clean technologies; retrofitting lighting in plants and warehouses; auditing compressed air systems to eliminate leaks; collecting material dust more efficiently; and using alternative/renewable energy sources.

In addition to its legally binding commitment to reduce its greenhouse gas emissions under the CCX cap and trade scheme, the Company publicly committed to these goals through the Clinton Global Initiative (CGI) in September 2006.



Knoll, with its long history of environmental stewardship, continues to lead the contract furniture industry in reducing greenhouse gas emissions," said Richard L. Sandor, Chairman and CEO, Chicago Climate Exchange. "Their accomplishments, under the strict and legally binding compliance standards of CCX, place them on the leading edge of companies using the exchange to manage their greenhouse gas emissions."

tags: Knoll, furniture, sustainable
producers: Knoll
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Eero Saarinen: Shaping the Future

The Walker Art Center and the Minneapolis Institute of Arts jointly present this first major museum retrospective of architect Eero Saarinen’s short but prolific career. Saarinen was one of the most celebrated, unorthodox, and controversial masters of 20th-century architecture. In many ways he was the architect of what has been dubbed “the American century,” the post-World War II era when the United States emerged as an influential world superpower.

   

Eero Saarinen, IBM Manufacturing and Training Facility, Rochester, Minnesota, circa 1958
Photographer Balthazar Korab © Balthazar Korab Ltd

Although Saarinen’s most iconic and publicly recognizable design is the soaring Gateway Arch in St. Louis, his work spanned many different areas of architectural practice, including the design of airports, corporate and academic campuses, churches and private residences, and furniture. Although criticized by his peers at the time for having a different style for each project, Saarinen rejected the dogma of an orthodox modernism and instead adopted a varied approach to architectural design, letting the subject and site guide his inventive solutions. His resulting body of work includes such masterpieces as the sweeping concrete curves of the TWA Terminal (1956–1962) at New York’s JFK Airport; the grandeur of General Motors Technical Center (1948–1956), dubbed an “industrial Versailles” by the media; and the iconic Womb Chair and Ottoman (1946–1948) or the innovative Pedestal (1954–1957) series of tables and chairs, both for Knoll and all classics of mid-century modernism.

 

Eero Saarinen, TWA Terminal, New York Int. (now John F. Kennedy Int.) Airport, New York, circa 1962 - Photographer Balthazar Korab © Balthazar Korab Ltd.
United States Jefferson National Expansion Memorial, St. Louis, Missouri, under construction, 1965 - From the Collections of Arteaga Photos Ltd.

Featured in the exhibition are never-before-seen sketches, working drawings, models, photographs, furnishings, films, and other ephemera from various archives and private collections. Exploring his entire output of more than 50 built and unbuilt projects, it provides a unique opportunity to consider Saarinen’s innovations in the use of new materials, technologies, and construction techniques within the larger context of postwar modern architecture.

In this collaborative presentation, the Walker Art Center will feature Saarinen’s furnishings and residences as well as his designs for churches and academic and corporate campuses, while the Minneapolis Institute of Arts will present his designs for airports, memorials, and embassies, as well as his early work within the context of its modernist design collection.

Eero Saarinen with A Combined Living-Dining-Room-Study project model, created for Architectural Forum magazine,  circa 1937 -  Photographer unknown - Courtesy Eero Saarinen Collection. Manuscripts and Archives, Yale University

Eero Saarinen, Patent drawing for pedestal chairs, June 7, 1960     Courtesy Eero Saarinen Collection. Manuscripts and Archives, Yale University
Eero Saarinen, Deere and Company Administrative Center, Moline, Illinois, circa 1963 - Photographer Harold Corsini - Courtesy Eero Saarinen Collection. Manuscripts and Archives, Yale University

Eero Saarinen, Miller House, Columbus, Indiana, circa 1957                                   Photographer Ezra Stoller © Ezra Stoller/ESTO


A catalogue accompanies the exhibition.

The Walker Art Center, Target Gallery
The Minneapolis Institute of Arts, U.S. Bank Gallery

From September 13, 2008 to January 4, 2009

tags: Knoll, Eero Saarinen, exhibitions, modern architecture
designers: Eero Saarinen
producers: Knoll
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