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posted on March 2 by DesignAddict.
| Knoll Reduces Greenhouse Gas Emissions by 10.4%, Two Years Ahead of Schedule. |
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In 2008, Knoll initiated a program to offset greenhouse gases at the
Lubin Building in East Greenville, PA, with electricity generated from
wind power. The initiative is part of the Knoll program to reduce
emissions via membership in CCX.
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Knoll announced that it has reached its 2010 goal of an additional 2% reduction in greenhouse gas emissions over its Phase 1 results as part of its program with the Chicago Climate Exchange (CCX). In Phase 1 of the CCX program, initiated in 2006, Knoll achieved an 8.8% reduction in carbon dioxide emissions over the 1998-2001 baseline. Knoll, an active member of CCX, has used its CCX partnership to guide its climate change program, educate its sales force and associates in its manufacturing facilities and set the standard its operations managers use to achieve the company's reduction of greenhouse gases. Reaching the 2010 reduction goal means that over the five year period, beginning in 2003, Knoll avoided 10.4% of expected greenhouse gas emissions, as compared to the baseline emissions of 1998-2001. During this period Knoll significantly increased it sales and operating profits, demonstrating that economic growth and environmental responsibility can be achieved simultaneously.
In November 2007 Knoll announced that it had successfully completed Phase 1 of the CCX greenhouse gas reduction requirements, achieving an 8.8% reduction in carbon dioxide emissions over the 1998-2001 baseline. This exceeded the required 4% reduction in carbon dioxide emissions in the Phase 1 period by 4.8%.
Knoll used many different tactics to reduce its environmental footprint in the short time frame, which were augmented by employee education and engagement around these issues. Examples of environmental best practices used include: using clean technologies; retrofitting lighting in plants and warehouses; auditing compressed air systems to eliminate leaks; collecting material dust more efficiently; and using alternative/renewable energy sources.
In addition to its legally binding commitment to reduce its greenhouse gas emissions under the CCX cap and trade scheme, the Company publicly committed to these goals through the Clinton Global Initiative (CGI) in September 2006.

Knoll, with its long history of environmental stewardship, continues to lead the contract furniture industry in reducing greenhouse gas emissions," said Richard L. Sandor, Chairman and CEO, Chicago Climate Exchange. "Their accomplishments, under the strict and legally binding compliance standards of CCX, place them on the leading edge of companies using the exchange to manage their greenhouse gas emissions."
tags: Knoll, furniture, sustainable producers: Knoll
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posted on August 25 by DesignAddict.
The Walker Art Center and the Minneapolis Institute of Arts jointly
present this first major museum retrospective of architect Eero
Saarinen’s short but prolific career. Saarinen was one of the most
celebrated, unorthodox, and controversial masters of 20th-century
architecture. In many ways he was the architect of what has been dubbed
“the American century,” the post-World War II era when the United
States emerged as an influential world superpower.
Eero Saarinen, IBM Manufacturing and Training Facility, Rochester, Minnesota, circa 1958 Photographer Balthazar Korab © Balthazar Korab Ltd
Although Saarinen’s most iconic and publicly recognizable design is the
soaring Gateway Arch in St. Louis, his work spanned many different
areas of architectural practice, including the design of airports,
corporate and academic campuses, churches and private residences, and
furniture. Although criticized by his peers at the time for having a
different style for each project, Saarinen rejected the dogma of an
orthodox modernism and instead adopted a varied approach to
architectural design, letting the subject and site guide his inventive
solutions. His resulting body of work includes such masterpieces as the
sweeping concrete curves of the TWA Terminal (1956–1962) at New York’s
JFK Airport; the grandeur of General Motors Technical Center
(1948–1956), dubbed an “industrial Versailles” by the media; and the
iconic Womb Chair and Ottoman (1946–1948) or the innovative Pedestal
(1954–1957) series of tables and chairs, both for Knoll and all classics of mid-century modernism.
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Eero Saarinen, TWA Terminal, New York Int. (now John F. Kennedy Int.) Airport, New York, circa 1962 - Photographer Balthazar Korab © Balthazar Korab Ltd.
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United States Jefferson National Expansion Memorial, St. Louis, Missouri, under construction, 1965 - From the Collections of Arteaga Photos Ltd. |
Featured in the exhibition are never-before-seen sketches, working
drawings, models, photographs, furnishings, films, and other ephemera
from various archives and private collections. Exploring his entire
output of more than 50 built and unbuilt projects, it provides a unique
opportunity to consider Saarinen’s innovations in the use of new
materials, technologies, and construction techniques within the larger
context of postwar modern architecture.
In this collaborative
presentation, the Walker Art Center will feature Saarinen’s furnishings
and residences as well as his designs for churches and academic and
corporate campuses, while the Minneapolis Institute of Arts will
present his designs for airports, memorials, and embassies, as well as
his early work within the context of its modernist design collection.
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Eero Saarinen with A Combined Living-Dining-Room-Study project model, created for Architectural Forum magazine, circa 1937 - Photographer unknown - Courtesy Eero Saarinen Collection. Manuscripts and Archives, Yale University
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Eero Saarinen, Patent drawing for pedestal chairs, June 7, 1960 Courtesy Eero Saarinen Collection. Manuscripts and Archives, Yale University |
Eero Saarinen, Deere and Company Administrative Center, Moline, Illinois, circa 1963 - Photographer Harold Corsini - Courtesy Eero Saarinen Collection. Manuscripts and Archives, Yale University |
Eero Saarinen, Miller House, Columbus, Indiana, circa 1957 Photographer Ezra Stoller © Ezra Stoller/ESTO
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A catalogue accompanies the exhibition.
The Walker Art Center, Target Gallery The Minneapolis Institute of Arts, U.S. Bank Gallery
From September 13, 2008 to January 4, 2009
tags: Knoll, Eero Saarinen, exhibitions, modern architecture designers: Eero Saarinen producers: Knoll
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