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posted on June 21 by DesignAddict.
Dieter Rams is one of the most influential product designers of the twentieth century. Even if you don’t immediately recognize his name, you have almost certainly used one of the radios, clocks, lighters, juicers, shelves or hundreds of other products he designed.
He is famous not only for this vast array of well-formed products, but for his remarkably prescient ideas about the correct function of design in the messy, out-of-control world we inhabit today.

These ideas are summed up in his ‘ten principles’ of good design: Good design is innovative, useful, and aesthetic. Good design should be make a product easily understood. Good design is unobtrusive, honest, durable, thorough, and concerned with the environment. Most of all, good design is as little design as possible.
Photographer Florian Böhm was invited to document the archive and Rams' house, providing a previously unseen look at the world of Dieter Rams.

Dieter Rams, Braun promotional material and image of the 606 shelving programme and prototypes for handles in the workshop, Rams House, Kronberg, Frankfurt, Germany
'It was exciting to browse through the densely preserved collection of Braun design history - which is mostly Dieter Rams',' enthuses Böhm. 'Larger objects in the archive stood out, corridors of TVs for example, but a lot of the archived products were concealed in boxes or in shelves, and often in closed storage units. Only a small amount was easily accessible with the camera, more or less by chance, when openly placed, in transition from one place to another or more visibly wrapped in clear plastic.'

PC 3 record player with spare parts for other hi-fi systems and face plate for hi-fi unit, Braun Archive, Kronberg, Frankfurt, Germany
Böhm continues: 'My interest was the condition of the archive, the site itself and the kind of mutated nature these objects seem to have developed within the archive arrangements and their new purpose in this context. I am fascinated with the reality of a physical archive and the analog logistics involved - the labelling, shelving, lighting, protection and accessibility. The preserved objects remain unused and seem to convert to pure information, as carriers of cultural identity.'

Dieter Rams seated in chair from 620 chair programme and with TG 550 reel-to-reel tape recorder, Rams House, Kronberg, Frankfurt, Germany
Rams' house - his only piece of architecture - is remarkable for the detail and the design principles applied to it. 'One idea was to follow Rams through the house while he was telling personal anecdotes about objects that are meaningful to him,' Böhm explains of his approach to photographing the house. 'A zoom into the higher resolution of the space, a macro view on the personal arrangement of things, beyond the ridged functional first impression of the space, for example, the workshop in the basement of his house, is full of interesting objects and traces of Rams.'

Dieter Rams, a prototype for a chair and and SK 4 record player, Rams House, Kronberg, Frankfurt, Germany


Book for sale on Amazon: Dieter Rams: As Little Design as Possible By Sophie Lovell and Klaus Kemp - Foreword by Jonathan Ive Edited by Phaidon Press
tags: photographs, audio, Dieter Rams, plastic, electronic designers: Dieter Rams
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posted on February 24 by DesignAddict.
Designed by Jerome Spriet + Wolfgang Bregentzer Acoustable is born out of a reflection on music and ways of listening to it.

The idea of an object which combines good acoustics with user-friendly ergonomics arises from these considerations. The coffee table at the centre of the room becomes the sound system and the power terminal.

There are no visible technical elements, only the player and a remote which can both be stored in a built in pocket.

Acoustable is made from a polymer and mineral blend that combines the advantages of stone and plastic.
tags: music, furniture, audio, new products
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posted on February 10 by DesignAddict.
Ashcraft Design created a pair of high end headphones with an eye towards using environmentally friendly materials.

The Aria headphones are a combination of recycled materials and advanced audio technology. The headband is wrapped in wood recycled from acoustic guitars of musicians located around the world, the satin spun finished earcups are made from reclaimed aluminum. The leather surrounding the earcups and the quilted leather lining the underside of the headband are reclaimed from bags, jackets and other articles of clothing from musicians located around the world. The leather is reworked and conditioned to provide a soft and comfortable fit for the user’s ears. This allows for ambient noises to be blocked out while retaining a clear, crisp sound from the music within.

The Aria headphones houses 40 millimeter titanium-plated drivers tuned to deliver extreme clarity in highs and lows, enhancing yet maintaining the purity of the musicians true intention.
tags: music, accessories, audio, new products, wood
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posted on February 11 by DesignAddict.
Would you like to change your photos into beautiful graphic design pieces? 'addLib' is an application for iPhone that edits your photos and creates a variety of design based on educated theories.

addLib mixes the Grid System, a fractal theory, the golden ratio and the Facial Recognition System, and then creates graphic design. It seems the layout is made at random, but it comes from the rigorous calculated system. These theories have been made through the process that people have been trying to find new expression, and they are also the ways, to capture very ordinary “beauty” in nature, namely algorithm.

tags: accessories, graphic, audio, electronic
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posted on January 25 by DesignAddict.
Using maize bio-plastic and bamboo trim, Elium Studio is extending its research on materials applied to household products.

The designers have looked at small electronics for the home in eco-friendly mode: radio with rechargeable battery by manual wind-up, clock, alarm clock, calculator and pocket flashlight with solar-powered battery. A range of eco-design pieces for Lexon.
As for the finish qualities of maize bio-plastic, which is matt rather than the super shiny plastic, they are honed and counter-balanced by the addition of bamboo for the covering. This is a technically bold option that adds an artisan touch to mass production and gets around the problem of appearance-fade, since bamboo takes on an elegant patina with use where ordinary plastics age badly.
tags: sustainable, EliumStudio, audio, Lexon, new products designers: EliumStudio producers: Lexon
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posted on January 7 by DesignAddict.

'Match' Radio by Gabriele Pezzini (AreaPlus 2007) - 'Pago-Pago' by Enzo Mari (Danese 1969)
This exhibition is born from the idea of comparing the work of two designers who agree upon several aspects of their working practices in spite of having been formed in very different periods of time.
Enzo Mari, maestro and moral conscience of design, and Gabriele Pezzini, seeker of exactness in design: two generations faced to the same problems, both advocates of a point of view focused on what is essential, doing what they know how to do best: analyse and decipher.
Both creators will be showing some of their major pieces in the exhibition opening at the Alain Gutharc Gallery in Paris on January 9.

'Box' by Enzo Mari (Castelli 1971) - 'Wired' Chair by Gabriele Pezzini (Max Design 2004)
"The parallelism that we trace in this small exhibit goes beyond the exposed products. These represent us and are a pretext to compare two generations that share a vision and discuss over the same issues. Che Fare (What to do), the title of the exhibition, poses a clear question, although it does so without using the question mark, as we probably know there is no answer. The uncertainty on what the project will be and on the drift of society, on the future of many young people who are facing this profession/passion today, is evident enough and cannot be hidden away any more." Gabriele Pezzini

'Moving' Stool by Gabriele Pezzini (2004) - 'Putrella' by Enzo Mari (Danese 1958)
Exhibition "Che fare" Enzo Mari / Gabriele Pezzini From January 9 to February 20 2010
Galerie Alain Gutharc 7 rue Saint-Claude 75003 Paris, France
tags: accessories, furniture, exhibitions, audio, plastic, Enzo Mari, wood designers: Enzo Mari
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posted on November 4 by DesignAddict.

The i24R3Portable is an extension of the i24R3 wireless speaker project collaboration between EOps and Michael Young studio. The i24R3Portable is a family of portable speakers with various specific functional configurations to suit different user lifestyles.

"This project is about a serious portable waterproof speaker, I have always wanted one myself but there are big constraints to achieve the best sound quality while being waterproof and lightweight. The conventional waterproof speaker drivers are simply not up to the job. We have achieved a fundamental improvement in waterproof portable speaker design by using a totally sealed sound chamber design with light weight and powerful flat panel speakers and passive radiators which can provide really strong music perfomance. And the circular form and the thickness of the i24R3Portable speaker happens to be the most appropriate form that can satisfy the challenging engineering requirement and coincidentally also look nice with the original i24R3 wireless speaker system. The i24R3Portable comes with a tube stand that is very unconventional for a portable speaker. The tube stand is something playful but people can use it like a handle for portability like carrying the speaker from indoor living room to the balcony but it is also removable so that people can mount the speaker in the wall if they want.", Michael Young (UK).

The different versions available allow the user to listen to music via PC or Mac computers, mobile phones, IPhones or MP3Players.
tags: music, accessories, Michael Young, audio, plastic, electronic, new products designers: Michael Young
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posted on October 27 by DesignAddict.
Product designer develops radio which incorporates Indonesian culture by Lynda Hong, Channel NewsAsia

An Indonesian product designer has developed a simple radio that he hopes will become a timeless classic. It is a functional piece of art, based on the designer's interpretation of Indonesian culture. But there are no traditional carvings on a Magno Radio.
Its creator Singgih Kartono wanted to go beyond established forms of Indonesian art, such as batik and carving, while retaining the cultural philosophy of having a connection between the user and the product.
He said: "We do not think of a product as an object, we think it is part of our life. And I try to explore that in my design."
The radios are made from Pinewood, Mahogany and Albasia - wood from trees indigenous to Indonesia. And Singgih plants a replacement tree for each one he uses.

He explained: "(This is) because wood is a soulful material. Wood tells us about life, balance and limits. When I combine electronic products with wood material, it seems like a soul embodied, it makes a closer relation to us. "
The radio started out as a final year university project in 1992 when he was studying product design, and it took 13 years to start production. The main challenge was difficulty in sourcing small numbers of radio circuits, to be encased in Singgih's wooden radio casing.
Suppliers normally only sell a minimum of 1,000 radio circuits per purchase. But in 2005, a supplier finally agreed to sell Singgih 100 radio circuits.
A Magno radio costs between US$200 and US$300, depending on its size.
A team of 30 craftsmen makes about 200 sets every month at a workshop the social enterprise entrepreneur had set up in his home town in Central Java in 2005 to provide jobs for his fellow villagers.
That is not enough to meet demand from Europe, the United States, Australia, China and Taiwan. But Singgih has no intention of increasing the production of Magno radios. And he is in no hurry to come up with new designs.
He said: "I will make developments. But my design is slow design. I do not want to make things fast because I am not driven by the market, or driven by the money."
Singgih said the Magno's simplicity means it can be a timeless product. And he hopes it will evolve into a collector's item that is used for many years to come. - CNA/ms
tags: sustainable, audio, new products, wood
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posted on August 28 by DesignAddict.
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For 40 years, from 1955 until 1995, Dieter Rams designed or oversaw the
design of over 500 products for the German electronics manufacturer
Braun, as well as furniture for Vitsœ. Audio equipment, calculators,
shavers and shelving systems are just some of the products created by
Dieter Rams, each item holds a special place in the history of
industrial and furniture design and has established Dieter Rams as one
of the most influential designers of the late 20th century.
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| Dieter Rams, 1969 © Dieter Rams |
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This exhibition is the first UK definitive retrospective of Dieter Rams’ career in over 12 years. Showcasing landmark designs for both Braun and Vitsœ, this exhibition will examine how Dieter Rams’ design ethos inspired and challenged perceptions of domestic design and assesses Dieter Rams’ lasting influence on today’s design landscape. Archive film footage, models, sketches and prototypes will be displayed alongside specially commissioned interviews with Dieter Rams’ contemporaries, which include Jonathon Ive, Jasper Morrison, Sam Hecht and Naoto Fukasawa.
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Electric shaver, 1970 Design: Dieter Rams Manufacturer: Braun |
Control ET44 calculator, 1978 Design: Dieter Rams Manufacturer: Braun |
Dieter Rams’ elegant products challenged original concepts of design thought by reducing electrical switches to a minimum and arranging them in an orderly manner, transparent plastics and wooden veneers were mixed and colour schemes were limited to tones of pure whites and greys, the only splash of colour being allocated to switches and dials.
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P1 pocket record player, 1959 and T41 pocket radio, 1956 Design: Dieter Rams, Manufacturer: Braun
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SK4 record player, 1956 Design: Dieter Rams and Hans Gugelot Manufacturer: Braun |
Dieter Rams defined an elegant, legible, yet rigorous visual design language, identified through his ‘Ten Principles’ of good design, which, amongst others stated that good design should be innovative, aesthetic, durable and useful. Heavily influenced by the Bauhaus and Ulm School of Art in Germany, Dieter Rams pioneered a design spirit which embraced modernity and placed functionality above everything else, resulting in designs that were free of decoration, simple in function and embodied a cohesive sense of order. Born in Germany in 1932, Dieter Rams trained in architecture and interior design before joining Braun in 1955 where he took advantage of electronic and engineering advances made during the Second World War to realise a sophisticated re-interpretation of domestic appliances.
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606 Universal Shelving system Design: Dieter Rams Manufacturer: Vitsœ |
LE1 loudspeaker, 1960 Design: Dieter Rams Manufacturer: Braun |
Dieter Rams - Less and More Exhibition from November 18 2009 to March 14 2010 Design Museum London
tags: furniture, Vitsoe, exhibitions, Braun, audio, Dieter Rams, plastic, electronic designers: Dieter Rams producers: Vitsoe, Braun
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posted on May 7 by DesignAddict.
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DETAILS.com just posted their newest “60 Seconds” Q&A. This time
they sit down with Gary Hustwit, director of “Objectified.” The film
explores our relationships with manufactured items, everything from
cars to a potato peeler, and the designers behind them. Plus, Hustwit
tells us his favorite design items.
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Q: Helvetica traced the history of a typeface, and in Objectified you examine industrial design—a category that includes things as disparate as potato peelers and sports cars. Is it tough to make movies with such seemingly uncinematic topics?
A: My films are about asking audiences questions, not about finding answers or teaching. You can do proper documentary films and get people off death row—or you can ask questions. I focused on design, but everything is designed. Part of the reason for making a film about stuff is to make people think about that stuff. It tells a story—where we came from, where we're going, the issues that are facing us as a culture.
Q: How is our relationship to objects changing?
A: It's funny: I just moved, and I spread out all of my stuff beforehand. Most of the things I have are media —books, records, DVDs. I asked myself, "Why am I carrying this stuff around? This could easily fit on a JumpDrive." There's no need to have a physical object for them anymore.
Read More and make sure you check out the trailer for the movie - it’s really beautiful.
tags: accessories, video, interviews, audio
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