In her latest book, Judith Gura, a specialist in the history of interiors and furnishings explains the important movements (Bauhaus, Postmodernism, High Tech, and Green Design), forms, and furnishings from the 1950s to the present. Design After Modernism captures the range of influences that have spurred new ideas in design and illustrates many of the most characteristic and most innovative objects in this diverse mix.

With the first decade of the twenty-first century behind us, it is time to reassess the concept of "modern," a term that dates to the Middle Ages, when it signified current or recent events. Not until the eighteenth century did it become a stylistic term; more recently it has generally referred to the aesthetic that evolved from the Bauhaus and flourished in the mid-twentieth century. Though proclaiming freedom from the limitations of style, it became as formulaic as most of its predecessors, as Modern architecture and furnishings conformed to prescribed specifications: geometric forms, industrially fabricated, unadorned, and studiously ahistorical. 

Curiosity Kitchen, Alexander Pelikan (Netherlands) 2010
Annie, Reestore (United Kingdom) 2001 Repurposed shopping cart

Those guidelines are no longer relevant. As Midcentury Modernism has receded into history, Modernism has been redefined, reenergized, and in the process transformed. Today it embraces a cornucopia of design in an almost limitless range of materials: design studios are laboratories for experimentation; design concepts can be as important as finished objects; and furniture has crossed barriers to become a new art form. Tools and technologies never before possible have provided new approaches to decoration, and may incorporate influences from the past. The design profession has broadened its horizons; interiors and furniture are being created by architects, interior designers, furniture makers, industrial designers, artisans, artists, and even fashion designers.

Nomos Dining Table, Norman Foster (United Kingdom) 1989
Lounge Chair, Fabio Lenci (Italy) 1970

Design After Modernism offers an overview of developments in design over the past four decades-some evolutionary, some expected, and some extraordinary. It identifies the diverse influences that have generated new directions in design and illustrates many of the most characteristic, most noteworthy, and most innovative objects in this rich and variegated mix. All are representative of their time, and many of the earlier designs have already gained iconic status. Of the more recent ones, whether or not they will be admired in decades to come is something that only time will tell.

Hanging Lamp, Model SP1, Verner Panton (Denmark) 1969
Sushi III Chair, Fernando and Humberto Campana (Brazil) 2002

Book: Design After Modernism: Furniture and Interiors 1970-2010
Author : Judith Gura
Publisher: W. W. Norton & Company

Abitare: 50 years of design: The best of architecture, interiors, photography, travel and trends 1961-2011

Abitare: 50 Years of Design is the first-ever compilation of the most innovative design magazine of the 1960s and 1970s. Launched in 1961, Abitare is a revolutionary lifestyle magazine, the source of all things hip, important, and avant-garde, covering a wide range of topics including contemporary design, lifestyle, and modern architecture.

Abitare was founded to cover the growing influence of Italian design but also to gather the most interesting trends worldwide, from the mod fashion in London, and the rise of alternative lifestyles in New York and San Francisco, to the development of industrial design in Milan. Classic articles from Abitare are reproduced in full, with their original English and Italian texts, while new essays by noted writers and past editors reflect on the influence of this avant-gardist magazine.

Contributors to the book, including senior curator of Design at the MoMA Paola Antonelli, are all former editors of Abitare, and are now considered arbiters of style and design worldwide. Their new essays, along with the classic original articles reproduced in full in English and Italian constitute an important milestone in the analysis and appreciation of design.

Book for sale on Amazon: Abitare: 50 years of design: The best of architecture, interiors, photography, travel and trends 1961-2011
Edited by Mario Piazza - Rizzoli New York

This book brings together contemporary graphic design promoting sustainability and the fight against climate change.


Essays look back in time to posters and ideas that set the stage for the current movement (World War Two posters, images of international cooperation, posters from the environmental movement in the 1960s and 1970s) and address the state of the poster: what is the efficacy and mode of distribution for purposeful, message-oriented graphic images today?

The bulk of the book is given over to a compilation of the best posters on the theme of sustainability by a variety of contemporary artists (both emerging and established), among them Shepard Fairey, Vier5, DJ Spooky, James Victore and Geoff McFetridge. These posters, which have a strong graphic presence and which never rest on the tired slogans of the past ("Save the Earth," etc.), show that graphic design does not passively respond to the zeitgeist--it helps shape it.

The book, which is sustainably printed in the U.S., reproduces 50 of these posters as tear-outs. Also included is a section on action, with documentation of designs at work in the world: on buses, billboards, protesters' placards, graffiti, t-shirts and so on. This movement is about a new form of patriotism, one that exhibits pride of place, but not fear of others.
 
Book for sale on Amazon: Green Patriot Posters - Images for a New Activism
Edited by Edward Morris, Dmitri Siegel.
Text by Michael Bierut, Thomas L. Friedman, Steven Heller
Edward Morris, Dmitri Siegel (Metropolis Books)

A leaf of light is thin as a page of a book. It's a rechargeable, wireless OLED light with adjustable brightness, for those who read and travel everywhere.

 Designed by Valentina Trimani.

The Estate of Lester Beall has launched a website about American Graphic Design Pioneer Lester Beall (1903 - 1969).

The Estate of Lester Beall was seeking a web presence with a vintage modern approach. Greg Chinn has found a way to showcase the history of Lester Beall, emphasizing the early developmental career, pioneering work and lifestyle, while adding to the visual language of the time period.
The website was created from a very personal point of view. Greg Chinn is married to the youngest Beall grandaughter and his great respect and affection for the work is evident.

Beall, whose work was considered avant-garde, was the first graphic designer to have a One Man Show at the Museum of Modern Art in 1937, inducted into the Art Director's Club Hall of Fame in 1972 and awarded the Lifetime Achievement Award by AIGA in 1993. Design historian, R. Roger Remington has written a book, Lester Beall: Trailblazer of American Graphic Design (1996). 

Rural Electrification Administration posters - Series One 1937

The site is framed by the words of Lester’s wife, Dorothy Miller Beall, from the December 1969 issue of the Journal of The American Institute of Graphic Arts. Functioning as a primer to Beall’s work, the website shows salient examples from his iconic portfolio. Viewers can see Beall’s early design work, drawings/paintings from the family's personal collection and peek inside his working Dumbarton Farm design studio in Brookfield, Connecticut.

Rural Electrification Administration posters - Series Three 1947

All pictures © Estate of Lester Beall

A book that reveals how thinking like a designer can help solve the greatest challenges we face in business, society, and our daily lives. What can we learn from the ways great designers think-and how can it improve our world? In this book by journalist Warren Berger, in collaboration with designer Bruce Mau, ten groundbreaking principles of design are shown in action-addressing business, social, and personal challenges and improving the way we think, work, and live.

Glimmer takes readers on a journey through today's fascinating world of design, where the formerly distinct disciplines of graphic, product, and social design are undergoing "smart recombinations." In the cutting-edge studios of Mau and other visionaries, everything is ripe for reinvention-including the ways businesses function, children learn, and communities thrive. Designers are solving problems at an unprecedented pace today by using improved technology and the highly practical design principles described in this book, such as "Ask stupid questions," "Make hope visible," "Work the metaphor," "Embrace constraints," and "Begin anywhere." Glimmer inspires readers to apply these same principles to their own life challenges.

While celebrated designers work on re-creating the world, Berger reveals the growing grassroots "glimmer movement" in which everyday people are emerging as designers and problem solvers. Readers will be fascinated by how "transformation design" is reinventing companies and addressing thorny social problems. Berger shares stories of how burned fingers, wrenched backs, and mixed-up pills all led to ingenious new product designs.

In a time of anxiety and retrenchment, this book illuminates "the glimmer of possibility and potential-that first spark of an innovative idea or a life-changing plan." According to Berger, "This faint light is all around us and also within us, if we can learn to recognize and nurture it." The best designers already know how to transform that glimmer of possibility into the steady glow of creation and innovation-and with the inspiration of Glimmer, we're now all able to do the same.

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Book for sale on Amazon: Glimmer: How Design Can Transform Your Life and Maybe Even the World
by Warren Berger (Penguin Press)