Swedish designer Matti Klenell has designed two bird families for Iittala: the Harakka (Magpie) family and the Korpi (Deep Forest) family, both with two generations of members. Both families have five members – Mommy, Daddy, Brother, Little Sister, and Baby – each with their own distinctive character and their own story to tell.
Birds by Klenell collection is a celebration of glass technique and colour. The black-and-white Harakka family combines black, white, and clear glass, and depends on a range of moulds and traditional tools to make them possible. The Korpi family, in contrast, is very colourful, combining pink heads or beaks and dark blue bottom sections, or green, black, red, and white, with colour drawn on the surface in bands or blown into the body of the glass. In the process, he has given his glass birds a practical use alongside their aesthetic one – drawing on the varied skills of the glassblowers and craftsmen at Iittala’s Nuutajärvi glassworks.
Klenell’s birds comprise two or three parts, which adds to their sculptural qualities. They also include a functional feature that is unique in the Iittala Birds collection, as the hollow bottom sections of his birds can be used as handy little containers to keep treasures, such as jewellery, notes, and memories, just like the magpie.
Glass is a familiar material to Klenell and one in which he excels, as his exhibition of unique glass pieces in Stockholm in 2008 showed. Working with the craftsmen at Nuutajärvi gave Klenell the opportunity to continue his exploration of what glass can offer.
Royal VKB has developed iD/cutlery with Dutch designers Richard Hutten, Gijs Bakker, Ineke Hans and Japanese Atelier Bow Wow.
Royal VKB is the latest brand from Dutch company, Koninklijke Van Kempen & Begeer. Founded in 1789, Koninklijke Van Kempen & Begeer has made history with stainless steel products and silverware.
iD/cutlery by Richard Hutten
Eating is fun and social, so my cutlery has to contribute to the fun of eating. Therefore I created cutlery that is easy to use, playful and no-nonsense. The shapes are essentially geometrical and carry the trademark ‘Hutten-loop’. Use it as a necklace. Hang it on a spike.
iD/cutlery by Gijs Bakker
I took a drop of water and flattened the top to create the basic shape for this elegant design. My iD/cutlery combines the looks of a reclined silhouette with a great feel of plasticity and perfect balance. Because I am a big fan of Italian food, I designed the fork with extra long teeth and a perfect hilt for spinning spaghetti.
iD/cutlery by Ineke Han
I based my design upon the archetypical shape of cutlery and made it robust and heavy. It may seem plain at first but the backsides are nicely engraved with different patterns as a reference to the lusciously decorated cutlery designs of the past. There’s more than meets the eye.
iD/cutlery by Bow Wow
We thought back to more primitive times and imagined the dining table as a landscape where nature prevails. This awakened our awareness of the moment when tools were first discovered and inspired us to use natural elements. We designed this cutlery by combining the minimalistic shapes of branches and leaves. Why not create a different dining landscape by combining the three main pieces to form the shape of a “tipi”.
There are so many born-dead projects floating about we sometimes forget that - before anything else - design is an exact discipline in which function gives nothing away to style, and technical innovation is there to serve real user protocols and not just the sales pitch. With their 'Silver Art' range, Elium Studio has made this clear, demonstrating how French elegance can inform industrial design.
Five pieces compose the breakfast set - espresso machine, coffee percolator, toaster, electric jug and juice extractor - enacting subtle crossovers from kitchenware to tableware, and from function to décor. Purity of line and high finish given to materials (brushed stainless steel, wood chrome) in series products opens a new window on these archetypes of modern living: in the 'Grand Hotel' spirit, modest everyday accessories for preparing and serving access to the status of potential collector's pieces. The range reflects the way Elium Studio uses technology - efficiency must always be user friendly. This is the right stuff in the French vein, expressing clear balance between function and form.
The final jury of the 'Prix Emile Hermes' has selected 17 projects from the contest theme 'la légèreté au quotidien / everyday lightness', a contest that was launched in 2008 in all the countries in Europe where Hermès has a commercial base.
The aim was to create an object for everyday life - Simplify use - Optimise function - Give material a spirit - Innovate to make everyday life easier - Create intelligent and user-friendly objects.
The jury unanimously decided not to award a first or second prize for this first edition of the Prix Émile Hermès, but rather to award three third-place prizes.
'Bronco' Rocking stool - Simon Lécureux, Switzerland - third-place prize
The prize committee's reasoning is as follows: “Harri Koskinen is one of the foremost designers now occupied with the task of continuing the Nordic design tradition. His extensive, wide-ranging body of work has a unique, austere design that is consistently expressed with clear Nordic roots in its demands for good function and simplicity of form, as well as in the choice of materials. These elements combine to create lasting value. At the same time as he enjoys successful partnerships with design-intensive companies around the world, he is also participating in the renewal of his homeland’s design industry.”
The prize will be ceremoniously awarded at the University of Gothenburg on the 4th of November and will be followed by an exhibition at the Röhsska Museum from the 5th of November 2009 until spring 2010.
The prize of SEK 1,000,000 is the largest design prize in the world.
Scandinavian design company Muuto is launching a wide range of interesting new products. From the Swedish designer Jens Fager comes a new side table and new colour options for the 'Raw' Collection. Furthermore Muuto presents a new design by Cecilie Manz while a popular product has found a new companion.
Last fall Muuto launched the popular 'Plus' grinders by Norway Says. 'Plus' are playful and beautiful grinders with a strong character that, according to the designers, add “a good-looking 'Plus' to your cooking”. With 'One', Norway Says has created a good-looking companion for 'Plus'. It is a simple but nice granite container if you prefer to add salt or pepper by hand or the cool wooden spoon that follows the 'One' container.
Jens Fager’s 'Raw' collection is expanded with a new side table and new colours. Like the other 'Raw' products, the 'Raw' side table is handmade on a band saw and painted in various colours. Jens Fager explains his concept: "'Raw' is a product family based on rough and intuitive interpretations of iconic everyday objects. Every piece is unique because they are all made of wood carved by hand with a band saw machine. With a strong and iconic look they can easily be placed anywhere in your home, office or restaurant.”
Danish designer, Cecilie Manz has created the 'Wicker' bread basket for Muuto. With the design of 'Wicker', Cecilie demonstrates how the combination of classic and modern Scandinavian design can shape an everyday product like a bread basket. Cecilie Manz on her design: “Wicker has clear references to typical Scandinavian basket techniques: wide and thin strips weaved in two directions. Only this time produced with a completely different method and material - a highly durable composite moulded into its shape. This gives a structure that is light and hollow, emphasizing the direction of the individual strips.” 'Wicker' is shaped in ceramic and plastic composite.
From November 15 to 30 2008, Saint-Etienne, France will host the tenth edition of the International Design Biennial. An original and unique event in the world of design, created in 1998 by the Saint Etienne School of Art and Design, this Biennial has since it began been bringing together creators of different cultures and professions both French and international.
'The other Belgians' is part of the 'Flight number 10' exhibition which has one area devoted to young European creators and a second area open for people to discover projects from other continents.
The 'Flight number 10' exhibition looks at Belgium, this country in the heart of Europe whose identity is still developing. Referring to the present geopolitical situation the project suggests a reflection on migratory patterns at the cultural level and in particular on their impact on design and project activity in the broadest sense.
This means looking at the multicultural nature of a country where the ideas of belonging and of nation often tend to be championed by those who do not 'belong'. Grandchildren of immigrants, cultural nomads, temporary residents, Belgian citizens with names that suggest a link - active or passive - with other origins; and some 'native' Belgians, first witnesses of the 'non-violent conflict' of multiculturalism.
Flight number 10 > L'Europe des designers (Designers' Europe) > La Belgique des autres (The other Belgians) November 15-30 2008 Exhibition curated by Giovanna Massoni
There are many design related exhibitions in Brussels for the moment. The one organised by Galerie Diito has drawn our attention. On the three levels of the beautiful space of the rue de l'Aurore, Diito was showing a selection of works by a confirmed designer (David Trubridge), emerging designers (Charlotte Lancelot and Dustdeluxe) and by a group of 9 very young women designers who have just graduated (V.I.D).
Serafino Zani will be presenting its new collections at Interieur 08.
A new cutlery set has been added to the 'Passami il sale' and 'Al
Dente' project, developed as a result of the partnership between
Serafino Zani and German designer Konstantin Grcic.
The Festa series, designed by Liliana Bonomi, is a group of steel, wood and porcelain objects that emphasise and enhance the daily task of carrying food to the table.
Designed also by Liliana Bonomi, the Giocorotondo series includes baskets, trays, cakestands, placemats, all made by laser-cutting.
Lincoln Kayiwa, a designer who graduated from the University of Art and
Design Helsinki in 2007, has started his own product design company
Kayiwa.
Here are 2 of his new products:
'Dino' clothes racks has a strange look with its hangers in the shape of a dinosaur skeleton.
'Tukaani' is an eating device for Asian food consumers in the West. The taut movement allows steady grip in the hand and the curl at the end of the tool provides easy food picking.
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