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The first category was: Chairs as an innovative element to complement a coherent archtectural environment. To demonstrate that we showed: Victor Horta's chair for the Tassel Hotel i Brussels (1895) Henri Van De Velde's chair for Bloemenwerf (1895) Charles Rennie Mackintosh's chair for the tea salon on Argyle street (1897) Josef Hoffmann's chair for te Purkersdorf Sanatorium (1904) Frank LLoyd Wright's office chair for the Larkin building (1906) Ernest Cormier chair for his own house in Montreal (1930) The second category was: Chairs that are architectural statements. Gerrit Rietveld's Berlin chair (1923) Le Corbusier/Pierre Jeanneret/Cjarlotte Perriand's pivoting chair (1928) Eileen Gray's Roquebrune chair (1929) L.Van der Rohe's Brno chair (1930) El Lissitzky's Dresden chair (1930) Arne Jacobsen's chair 3101 (1952)I would not put it in the same category anymore but this was is...1985. Francois Dallegret's "ressort" chair (1967) Stefan Wewerka's three legged chair (1980) Michele de Lucchi's "chaise First" (1983) Torben Skov's Vio Chair (1984) Mario Botta's chair "Quatra" (1984) Gaetano Pesce's Pratt chairs nr 2-8 (1983-4) Dan Hanganu's chair (1984) It goes on like this in another three or four different categories. But these are the relevant ones for this topic.
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