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should be said that the whole thing is based on its material; the carved seat, turned spindles and bent(?) crest rail are all reflective of ways to work wood. The bulbs in the legs indicate a desire to provide more material where the joints between turnings take place, surely, and the redundant bulbs are presumably meant to provide visual balance to those legs and stretchers while retaining the visual and physical lightness of the chair as a whole -- and relating it to natural models such as animal or botanical form ? (The bulge in the stretchers could also be explained as a reflection of the tendency of a member to be weakest or most vulnerable at its middle ?) Still, the fact that this chair is so comfortable is sufficient impetus to look at how it might be replicated, by whatever means and in whatever materials. . . Again, I'd like to know if the precise form could be captured from these images alone, through the magic of computer stereometry or whatever. . .?
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