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That we have provided the initiator of the thread with more than enough material. Eventually, I think we have to come to the conclusion that all these institutions that worked either in education (the Bauhaus), in architecture and design promotion (the Deutsche Werkbund) or in production (the Wiener Werkstätte) toward similar goals, could not ignore each other. Communication was not what it is now, and both the end of the Austrian Hungarian Empire and the first world war certainly left deep scars into many parts of Europe, and yet, similar and complementary ideas florished and made, the rejection of the cultural consequences of the industrial revolution as formulated by Wiliam Morris, evolve toward a more integrated vision in which cultural values could be preserved in a more humane industrialized society. This broader cultural movement was obviously a rather small community. Otherwise how could Alma Mahler toward the end of her life have said: The history of modern music, architecture, design, painting and literature can not be written without mentioning one of my former husbands or lovers.
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