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Kuku
Ola-dele

NIGERIA  
Ola-dele Kuku

1963 Lagos (NGR)
Ola-Dele Kuku studied at the Southern Institute of Architecture in Los Angeles. His roots are in Nigeria, a country where he also lived for a relatively short period. He currently lives and works in Brussels.
Although he was trained as an architect, the word immediately arouses resistance, because he seriously questions the usefulness of architecture as generally practised. 'Architecture isn't anywhere near to being what it should be', as he put it. In one of the many interviews on his work, he also commented: 'Architecture has never been based itself on people. Building has always been something people did in defiance of a 'superior being' and based on the fear of a power far greater than themselves.' So in his opinion there has hardly been any evolution in architecture. That is why he adheres to his standpoint that the architect should endeavour to push back the frontiers of his profession and constantly blaze new trails.
For him, functionality is not an immediate issue, nor is commercialism. Every object he has made is a specific
Study into how proportions work: try-outs on which he works for several years, with considerable perseverance and enthusiasm. He considers himself to be more of an artist in search of the use of emptiness. In the same way as a teacup can be used because of empty space, he wants to knead space and add structure to it; the creation of structure in a world of disorder. In other words, a journey along the border between a visible and an imaginary world.
The reasoning doesn't seem very tangible. Yet Ola-dele Kuku has realised a number of remarkable objects within that framework, culminating in the 'Opera Domestica'. Two Belgian companies - Lagae Hout from Kortrijk and de Noordboom from Ronse - were partly responsible for the coming about of that work. The objects in question have been carefully planned down to the last millimetre and appear to tell a story. They are unique pieces, marking the evolution in his ideas and actions. Ola-dele Kuku has given courses at the Milan Politecnico (Italy) and Delft University of Technology (Netherlands). He recently taught at the Tilburg Academy of Architecture (Netherlands). He has participated successfully in many international events and competitions. For instance, in 1995 he was awarded the Grand Prize/Prime Minister's Prize during the IFI Nagoya International Design Competition and in 1997 he received the Public Prize in the VIZO's Henry van de Velde contest.

Hans Fonk - Objekt nr. 16 - Hans Fonk Publications 2000
Ola-Dele Kuku Projects
T +32 479 951 952
[email protected]




Ola-dele Kuku
Opara Domestica I - Teatro dell'Archivio Courtesy Ola-Dele Kuku ©

Opara Domestica I - Teatro dell'Archivio


D E S I G N E R
Ola-dele Kuku

P R O D U C E R

Ola-Dele Kuku Projects, Belgium
1995

M A T E R I A L   A N D   D I M E N S I O N S
wood
Wood (American red alders) and steel (for specific details)

(top wheel) -186cm/150cm/30cm -(base) - 120cm / 120cm
The project is presented as a symbolic representation of a 'domestic ritual', which is to be perceived as a tangible identity of a specific aspect of being, revealed by forms of dimensions. The prototype is a personal library or personal archives - an architectural object where information is stored, obtained and assimilated. It is a dimension within the dwelling space that represents the domestic ritual of 'learning' or the need to know as a component of experience.

Awards / Prizes:
-'Grand Prize / Prime Minister's Prize'
IFI Nagoya International Design Competition, Nagoya, Japan 1995.
-'Licence of Honour'
Vlaamse Ingenieurskamer Tech-Art Prize 1995, Antwerp, Belgium.
-'Mention Special du Jury pour la Créativité'
Biennale pour l'Art Contemporain Africain Dak'Art, Dakar, Senegal.

Production: in collaboration with De Noordboom, Ronse.
 
'Opara Domestica' III - La Cassa Forte Courtesy Ola-dele Kuku Projects

'Opara Domestica' III - La Cassa Forte


D E S I G N E R
Ola-dele Kuku

P R O D U C E R

Ola-Dele Kuku Projects, Belgium
1996

M A T E R I A L   A N D   D I M E N S I O N S
wood
Wood (American red alders), and steel (for technical details)

200cm/60cm
'La Cassa Forte' - prototype (limited edition) from the 'Opera Domestica' series.

Awards / Prizes:
-'Mention Special du Jury pour la Créativité'
Biennale pour l'Art Contemporain Africain Dak'ART, Dakar, Sénégal 2000.

Production: in collaboration with De Noordboom, Ronse.
 
'Opara Domestica' IV - Fossils and Icons Courtesy Ola-Dele Kuku ©

'Opara Domestica' IV - Fossils and Icons


D E S I G N E R
Ola-dele Kuku

P R O D U C E R

Ola-Dele Kuku Projects, Belgium
1996

M A T E R I A L   A N D   D I M E N S I O N S
wood
Wood (American red alders)

206cm/128cm/50cm
'Fossils and Icons' was conceived as one of the prototype (limited edition) series from the 'Opera Domestica' collection. It is a symbolic representation of what exists as inexisting,- within the dwelling space.

Awards / Prizes:
'Mention Special du Jury pour la Créativité'
Biennale pour l'Art Contemporain African Dak'ART, Dakar, Senegal 2000.

Production: in collaboration with De Noordboom, Ronse, Belgium.
 
'Opara Domestica' ll - Similar Difference Courtesy Ola-Dele Kuku Projects

'Opara Domestica' ll - Similar Difference


D E S I G N E R
Ola-dele Kuku

P R O D U C E R

Ola-Dele Kuku Projects, Belgium
1999

M A T E R I A L   A N D   D I M E N S I O N S
wood
Wood (American red alders)

207.4cm / 207.4cm / 5.5cm / 44.0cm
'Similar Differences' is an architectural prototype introduced as a parallel relationship between dimension and function, where proportion is relative to use. An entity within the dwelling space, accommodating 'what contains', and 'what is contained'.
The project is composed of 'empty compartments', 'built-in objects' and 'compositional pieces' within other compartments, which could be assembled to create 'new objects'.
The "building " consists of 182 compartments accessible in two directions.
There are two 'components' of 91 compartments which merge at the diagonal of 'void squares' or the line of reflections.
The 'built-in objects' and 'compositional pieces' within the prototype are adapted to the many different aspects of living such as games, furniture, kitchen and dinning utensils, work and building utensils and so on.

Awards / Prizes:
-'Honourable Mention Award'
Nagoya Do International Design Competition, Nagoya, Japan 1998.
-'Mention Special du Jury pour la Créativité'
Biennale pour l'Art Contemporain Africain Dak'ART, Dakar, Sénégal 2000.

Production: in collaboration with De Noordboom, Ronse.
 

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