Karboxx

ITALY

Founded in 2005
Karboxx, a young and innovative lighting firm, has the mission to produce lamps with an exclusive and refined design, through the use of innovative and technological materials, such as carbon fibre and fibre-glass, distinctive features of the trademark. Light, resistant and modern materials, with unique, refined, elegant, minimal but also comfortable shades, designed by Enrico Franzolini, Vicente Garcìa Jimènez and Brian Rasmussen. Karboxx future is closely related to the constant research and in-depth analysis of the design themes, in order to create innovative collections. The care for details and the attention to the materials that are used combined with exclusive design make Karboxx one of the upscale brands of the greatest potential. Potential that Karboxx makes use though colour- therapy lighting. The colour and the intensity of light has important visual and biological effects: more productivity, more rapidity, less mistakes and above all less stress. Karboxx pays attention to modern life needs; the firm studies its projects in order to offer final users advantages.

Karboxx Srl
Via del Gelso, 16/2
33100 Udine (UD)
ITALY
T +39 0432 26577
F +39 0432 512596
[email protected]

KARBOXX
Interior lighting, desk lamps, Italian design carbon fiber lighting & lamps.

LIGHTING [13]

Courtesy Karboxx

'Afra' Lamp

D E S I G N E R
Enrico Franzolini

P R O D U C E R
Karboxx, Italy
2009

M A T E R I A L A N D D I M E N S I O N S
blown glass
Base in aluminium painted light grey
33 cm - 33 cm


A nearly sphere of blown glass with a median grove which holds a hand crochet cap. Crocheted in an unique weave texture that always filters the light in various ways. Floor, desk, table lamp or suspended, providing diffused light. Diffuser consisting of an externally acid-etched hand blown, flashed opaline glass in white, grey or amber.

Courtesy Karboxx

'Babel' Floor Lamp

D E S I G N E R
Fabio Flora

P R O D U C E R
Karboxx, Italy
2009

M A T E R I A L A N D D I M E N S I O N S
fabric
Floor lamp or suspended lamp, with shade in Honeycomb fabric canvas. Base in white painted aluminium.
35/60 cm - 180x55 cm


Our society was born in Babel. Babel is our society. A symbol of its genesis and survival, a tower which was never finished, a cone log that rises like a spiral. Today the tower has collapsed. The spiral does not only rise but rises and falls. However it still exists. It is in precarious balance and it is nourished from an inner light.

Courtesy Karboxx

'Escape' Wall Lamp

D E S I G N E R
Serena Papait

P R O D U C E R
Karboxx, Italy
2009

M A T E R I A L A N D D I M E N S I O N S
aluminum
(44 cm -11 cm -15 cm) - (78 cm - 12 cm - 17 cm) - (124 cm -15 cm - 14 cm)


Escape is a lamp that has been designed in the attempt to experience the dynamism of light in a context of stillness a kind of vibration that manifests with the diffusion of the light at different levels. The lamp is composed of a series of perfectly horizontal elements, parallel between them, that represent the will to search, by means of this shape, an equilibrium and natural order.

Courtesy Karboxx

'Ocean' Wall Lamp

D E S I G N E R
Brian Rasmussen

P R O D U C E R
Karboxx, Italy
2009

M A T E R I A L A N D D I M E N S I O N S
fabric
40 cm - 13 cm - 20 cm

As the surface of the sea vibrates with shadows and the reflection of the sun, in the same way this project tells its story, with its shadows during the day and its reflections at night. The ocean is a small part of the sea and creates with its waves, a game of lights on its surface that emphasizes the simple geometry. With the union of many lamps one creates an artificial horizon of lights and shadows. Goodness knows how many would be needed in order to create an ocean?

Courtesy Karboxx

'Shadow' Wall Lamp

D E S I G N E R
Enrico Franzolini

P R O D U C E R
Karboxx, Italy
2009

M A T E R I A L A N D D I M E N S I O N S
stainless steel
33 cm - 19 cm - 8 cm


A screen in steel that diffuses the light on the wall without dazzling. Light and shadow easily adjustable with a simple action.

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