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Breuer
Andrea Branzi
by Andrea Branzi (Author) / Dis Voir (Editor)

Artwork by Andrea Branzi.

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Castiglioni
Marcel Breuer: A Memoir
by Robert Gatje (Author) / Monacelli (Editor)

Modern master Marcel Breuer, born in Hungary in 1902, studied at the Bauhaus in Weimar and later taught at the Bauhaus in Dessau; his earliest projects were two legendary chair designs and residential work in Germany. In 1937 he was invited by Walter Gropius to the Harvard Graduate School of Design, where he taught for nine years, and in 1946 he moved to New York City and opened an office on Eighty-eighth Street. In 1953 young architect Bob Gatje joined the firm -- by this time, Breuer had built an exceptional series of private houses in New England and was deeply involved in the design of the Paris headquarters of UNESCO. This fascinating memoir recounts daily life in Breuer's office and also offers comprehensive, firsthand discussions of many of the firm's most important projects: it is a study not only of an architect but of an architecture practice.

Drawing on his own recollections, as well as extensive interviews with other architects, friends, and clients of Breuer, Gatje re-creates more than two decades in the Breuer office. His narrative includes many of the firm's most important projects: several buildings, including the sculptural "bell banner," at Saint John's Abbey in Collegeville, Minnesota; major buildings for IBM in La Gaude, France, and Boca Raton, Florida; the master plan and three buildings for the Hall of Fame campus of New York University; the Whitney Museum of American Art in New York; numerous private residences; and the master plan and all the buildings at Flaine, an enormous ski resort high in the French Alps. Illustrated with the author's own striking drawings of many of the projects, as well as with beautiful archival images and personal snapshots, Gatje draws a vivid and affecting picture of a unique architecture office, and of one of the great architects of the modern era.

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Citterio
Achille Castiglioni
by Matteo Guarnaccia (Author) / Achille Castiglioni (Author) / Steven Guarnaccia (Author) / Paola Antonelli (Editor) / Edizioni Corraini (Editor)

This new monograph documents the work of international master of design Achille Castiglioni. During his half-century career, Castiglioni has designed over 150 objects, including lamps, stools, bookshelves, electrical switches, cameras, telephones, vacuum cleaners, and car seats. Many of his designs, like the Arco and Brera lamps, the Firenze wall clock, the RR 126 stereo system, and the Primate seat, achieve the highest standards of visual art as well as design, and several of his works are featured in the design collections of major museums. Taking as his motto ''Design demands observation,'' Castiglioni has created objects that are inspired by and respond to the demands of everyday life, basing some of his most famous designs on quotidian objects like a street lamps or a car's front reflector. His work is marked throughout by an attention both to the timeless essentials of great design and to the changing behavior and values of modern culture. This catalogue presents the highlights of Castiglioni's 50-year career in design in sumptuous reproductions, documenting an oeuvre that constitutes one of the highest expressions of contemporary creativity.

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Colani
Antonio Citterio
by Alberto Bassi (Author) / Phaidon Press (Editor)

Antonio Citterio was born in Meda (Italy) in 1950. He has a degree in architecture from the Polytechnic University in Milan, and he opened his studio in 1972. He has collaborated with many Italian and foreign firms in the design sector like Ansorg, B&B Italia, Flexform, Flos, Hackmann, Inda, Pozzi e Ginori, Kartell, Arclinea and Vitra. In 1981 he began designing architectural projects. From 1987 to 1996 he was associated with Terry Dwan and together they designed many buildings in Europe and Japan. Some of their most important works: the headquarters in Amsterdam, Antwerp and Milan for Esprit, an industrial plant for Vitra in Germany and for Antonio Fusco in Milan. Other commercial spaces include in 1996, the habitat store in London. In 1999 he founded Antonio Citterio and Partners, a multidisciplinary architecture and design studio, in 2000 the Milan office and the Hamburg offices were opened. Antonio Citterio has taught at Domus Academy in Milan and at Universita la Sapienza in Rome, and he has been teaching at the Architecture Academy in Mendrisio since 1999. He has won many prizes, including the Compasso d'Oro in 1987 and 1995. His products are included in the permanent collection of the Museum of Modern Art in New York and the Centre Pompidou in Paris. He currently lives and works in Milan.

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Day
Colani: The Art of Shaping the Future
by Dr. Albrecht Bangert (Author) / Princeton Architectural Press (Editor)

If there was an award for world's coolest designer, Luigi Colani, with his signature moustache and trademark stogie, would win it hands down every year. Colani has been making bio-morphic streamlined products ever since he graduated from the Sorbonne, in 1953, with a degree in aerodynamics. He has designed everything from cameras and watches to cars and motorcycles. His visionary studies for supersonic transit, high-speed trains, aerodynamic sports equipment, eyewear, and just about everything else have dramatically altered our designed environment. His ultra progressive design patrons include BMW, Canon, Mazda, NEC, Rosenthal, Sony, VW, and Zeiss.

This magnificent volume, beautifully produced with hundreds of drawings and photos, showcases for the first time his wide-ranging oeuvre in the context of international design history. Also, it's just, well, incredibly cool.

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Day
Robin and Lucienne Day: Pioneers in Modern Design
by Lesley Jackson (Author) / Princeton Architectural Press (Editor)

Hailed as the British counterparts to Charles and Ray Eames, Robin and Lucienne Day electrified the British design scene in the 1950s with their startling furniture and textile designs. Indeed, their influence over the next five decades has been so profound that their early products were recently reintroduced by Conran's Habitat. Lucienne Day pioneered the introduction of modern abstract pattern design in the textile industry. Her fabrics, which oscillate between bold geometric figures and more subtle abstract patterns, were produced by companies as diverse as Heal's and Liberty of London. Robin Day's influential furniture designs pioneered the use of materials such as plywood, steel, and plastic. His stacking polypropylene chair (right) is one of the best-selling chairs in the world. Robin and Lucienne Day, the first-ever full-length monograph on their designs, features never-before-seen archival material along with over 250 color images of the full range of their work, including furniture, ceramics, textiles, wallpaper, interiors, appliances, exhibit designs, and graphics. Spanning a half-century's creative output, no designer will fail to be awed by the genius seen in this book.

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De Lucchi
Michele De Lucchi Dopotolomeo
by Silvia Suardi (Author) / Skira (Editor)

"Dopotolomeo," far from being an astronomical dissertation, instead refers to the "aftermath" of a lamp, and more precisely to what has happened in the professional life of Michele De Lucchi from the birth of the famous Tolomeo lamp, conceived in 1986, until today.

"Dopotolomeo" is a diary that is as sincere and messy as the succession of events of life; it is a collage of images and thoughts, as chaotic as anything that comes to life in people's heads. The thread of this diary is drawn from the notebooks that De Lucchi has kept ever since his time at university: from the first one on squared paper for his accounts, to the larger ones with paper for water-colours, to the "small notebooks" ("quadernini"), packed with words, which now represent Michele De Lucchi's professional history.

The flow of the images of "Dopotolomeo" is reminiscent of a karstic river, in which the messages sometimes appear very clear, immediate-- the analogies to the anthropomorphous forms of many of his projects-- and others are more subtended, hidden, underground. Yet the river keeps on flowing and a little further on it resurfaces, carrying along its history, a continuous flow, even if made of discontinuity, because "it is an essential part of making projects to produce and sustain reasons of discontinuity."


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Dresser
Christopher Dresser : A Pioneer of Modern Design
by Widar Halen (Author) / Phaidon Press (Editor)

Christopher Dresser (1834-1904) was a pioneer of modern design and arguably Europe's first industrial designer. He enthusiastically promoted machines and mass-production, and his prolific output embraced a wide range of styles and techniques in ceramics, glass, metalwork, furniture, carpets, textiles, wallpapers and interior decoration. He worked for the leading manufacturers of the day, and was an influential writer and theorist, pioneering a scientific attitude to design and stressing the importance of function, simplicity, mechanical skill and the use of readily available materials. With their bold shapes, angular geometry, stylized botanical motifs and rich colours, Dresser's designs have exercised a powerful influence on modern taste. His work is now eagerly collected.

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