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OurPrice: $50.36
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Jongerius
Room 606: The Sas House and the Work of Arne Jacobsen
by
Michael Sheridan (Author)
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Phaidon Press (Editor)
In the center of Copenhagen, on the sixth floor of the Royal Hotel, a single room preserves in microcosm the definitive masterwork of Danish architect Arne Jacobsen. Room 606 is the last surviving interior of the SAS House - an unparalleled example of modern architecture and design. Best known beyond his Scan-dinavian homeland as a furniture designer, Jacobsen (1902-1971) was one of the outstanding architects of the twentieth century. Throughout his career, he created complete settings for daily life, dissolving the boundaries between architecture, interior, and indust-rial design. The SAS House represented the pinnacle of these efforts and, by the completion of the project in 1960, Jacobsen had designed every detail, including new furniture such as the now famous Egg and Swan chairs, fabrics, fixtures, and even the silverware.This book presents a unique insight into Jacobsen's work, using the time capsule Room 606 as a lens through which to examine his entire career. The chapters are organized thematically and each consists of three sections that together look at Room 606 as a microcosm of the SAS House, reconstruct the original building, and trace the connections between Jacobsen's masterpiece and his other works, from buildings to household objects.
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OurPrice: $27.50
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Kiesler
Hella Jongerius
by
Louise Schouwenberg (Author)
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Phaidon Press (Editor)
Hella Jongerius combines traditional craft techniques with high-tech materials and manufacturing to produce objects that are strikingly new and provocative; her unique talent has created increasing "buzz" in the design world. Since 2000, she has exhibited her own work at The Museum of Modern Art in New York, the Institute of Contemporary Art in Philadelphia, and the Museum of Art and Design in Helsinki, in addition to exhibitions with Droog Design in Frankfurt, Milan, and Jerusalem and several exhibitions in The Netherlands. Among Jongerius's designs are her "B-Set" dinnerware (1998), which consists of simple porcelain that is fired at ultra-hot temperatures so that it warps and the finish crackles; while the dishes are a series, no two pieces are alike. As Louise Shouwenberg has commented, "the result is not an anachronistically perfect dinner service; rather it is a wobbly pile of serially-produced one-offs: plates with a soul". Jongerius's "Soft Vases" (1994)!and "Pushed Soft Washtub" (1996) are cast in seamed polyurethane; and her new line of textiles for Maharan (2002) references classic old patterns and incorporates the dot patterns from the punchcards used to make the fabric. One of most talked-about designs to emerge from JongeriusLab is a high-tech modern folding chair based on an antique Ugandan wood chair. These designs and others at first glance can look familiar and simple, but behind the simplicity is Jongerius's careful consideration of an object's history, heritage, and archetypes. This monograph on Jongerius presents a visual "catalogue" of her career in a cinematic graphic layout, consisting of photographs and interview text running continuously from the front cover through the book pages to the back cover. Two essays by Louise Schouwenberg are interspersed within the book, addressing themes relating to Jongerius's work. Photographs by Joke Robaard show the objects in context, in factories, shops, museums, and studios in various countries. The photography aims to show the social and historic dimensions of the objects and Jongerius's approach. Also included are photographs by Jongerius of her design process over the years.
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OurPrice: $35.00
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Knoll Basset
Friedrich Kiesler: Designer
by
Tulga Beyerle (Author)
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Harald Krejci (Author)
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Monika Pessler (Author)
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Don Quaintance (Author)
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Frederick Kiesler (Contributor)
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Hatje Cantz Publishers (Editor)
Previously unpublished material relating to Austro-American artist/architect Friedrich Kiesler's (1890-1965) innovative furniture designs and prototypes from the 1930s and 40s are showcased in this comprehensive volume. Also included are letters, diary entries, and photographs that chronicle the New York cultural environment in which Kiesler lived and worked, and provide rarely documented insight into the role he played in the contemporary design scene. Shortly after emigrating to New York in 1925, Kiesler became an important mediator between European and American positions in the fields of design and architecture. In the following years, he designed furniture and exhibitions, and articulated the fundamental principles of a critical theory of functional architecture and design. Concepts that are being thoughtfully revisited by today's designers--flexibility, dynamism, and multifunctionality--were constant elements in Kiesler's theoretical constructs, as evidenced in this volume.
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Loewy
Knoll Furniture 1938-1960 (Schiffer Design Book)
by
Steven Rouland (Author)
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Linda Rouland (Author)
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Schiffer Publishing (Editor)
In the 1940s and 1950s, Knoll Furniture became symbolic of the modern design movement. This book catalogs furniture produced by the Knoll Furniture Company of New York during its first two exciting decades. Over 270 illustrations present forms by such influential designers as Eero Saarinen, Harry Bertoia, Isamu Noguchi, George Nakashima, Jens Risom, Ralph Rapson, and others. An easy-to-use identification guide includes production dates and designer attribution. Original catalog photographs and many from the Knoll Museum Archive, a company history, designer biographies, and a price guide are included. This book is an essential reference for all who are interested in modern furniture design.
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Loewy
Industrial Design
by
Raymond Loewy (Author)
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Overlook TP (Editor)
If there is a designer whose name is synonymous with industrial design it is Raymond Loewy (1893-1986). What Charles and Ray Eames are to furniture design, Raymond Loewy is to industrial design--the modern master. Among the literally thousands of his well-known forms, shapes, and designs are the Coca-Cola bottle, the Studebaker, the U.S. Post Office logo, streamlined trains and ocean liners, the Shell and Exxon logos, and the Lucky Strike package. In Industrial Design the pioneering half-century of Loewy's career is offered in a stunning visual presentation of his most famous design achievements together with his personal account of a life in design. With mid-century modern design experiencing an incredible resurgence, this book is a key reference for that look.
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OurPrice: $24.76
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Lovegrove
Never Leave Well Enough Alone
by
Raymond Loewy (Author)
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Glenn Porter (Introduction)
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The Johns Hopkins University Press (Editor)
Between the 1930s and the 1960s, Raymond Loewy's streamlined designs for thousands of consumer goods -- everything from toasters and refrigerators to automobiles and ocean liners -- radically changed the look of American life. Regarded as the father of modern industrial design, he appeared on the cover of Time in 1949; in 1990, he was selected as one of Life's "100 Most Important Americans of the 20th Century." Whether they realized it or not, Americans at mid-century lived in a Loewy-designed world, from the cigarettes they smoked (Lucky Strike's packaging), the soda they drank (the restaurant Coca-Cola dispenser), the toothpaste they used (Pepsodent's toothpaste tube), the cars they drove (his organization was Studebaker's design and styling department), the buses (Greyhound) and trains (the Pennsylvania Railroad) in which they rode, and the department stores (Gimbel's, Foley's, and Lord & Taylor) and grocery stores (Lucky) where they shopped. Never Leave Well Enough Alone was first published in 1951 at the height of Loewy's career. His company, Raymond Loewy Associates, served as design consultants to more than a hundred of the world's largest corporations, and products manufactured to their specifications sold in excess of $3 billion annually. Written and designed by Loewy, this profusely illustrated book is part autobiography and part design manifesto. Acclaimed for its wit, its idiosyncracies, and its insight into the Loewy aesthetic, this volume stands as a remarkable document of the American Century and a still-vital meditation upon the importance of industrial design in daily life.
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OurPrice: $44.07
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Mackintosh
Supernatural: The Work of Ross Lovegrove
by
Ross Lovegrove (Author)
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Phaidon Press (Editor)
This book is the first monograph on the product designer Ross Lovegrove. Written by the designer himself, with a forward by Paola Antonelli, it presents a complete overview of the designer's career, featuring realized and unrealized project. While the main texts explains Ross Lovegrove's philosophy and way of working, the products descriptions reveal the main feature and characteristic of every project.
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Maurer
Charles Rennie Mackintosh
by
McLellan Galleries (Corporate Author)
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Charles Rennie MacKintosh (Editor)
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Wendy Kaplan (Editor)
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Abbeville Press (Editor)
The Glaswegian architect, designer, and painter was a man ahead of his time. His work, as imaginative and original as other artists and architects of the Art Nouveau period, also extended in other directions and became an inspiration to aspiring artists. In his own time and environment, however, Mackintosh was largely ignored. Under Francis Newberry, the director of the Glasgow School of Art, a talented nucleus of artists was established whose work gained recognition throughout Europe. Mackintosh became a draftsman in the firm of Honeyman & Keppie, later becoming a partner and designing the modern Glasgow School of Art. He also designed several modern interiors and the appropriate furniture for them. Mackintosh finally moved to France, where he dedicated himself to painting a remarkable series of original works that have become as highly prized as his furniture pieces and other designs.
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Mollino
Ingo Maurer
by
Michael Webb (Author)
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Marisa Bartolucci (Editor)
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Raul Cabra (Editor)
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Chronicle Books (Editor)
Continuing to put great classic and contemporary design within everyone s grasp, Chronicle Books proudly delivers the next four installments of the popular Compact Design Portfolio. Written by top design critics, these books cover modern masters whose work ranges from the cozily domestic to the aggressively avant-garde: Eva Zeisel, whose elegantly democratic housewares span a 70-year career; Ingo Maurer, who raises lamp and lighting design to a high art form; Gaetano Pesce, whose rejection of traditional good taste brought about revolutionary furniture design; and George Nelson, the impresario behind the Marshmallow sofa and other Herman Miller classics. Follow-ing the introductory essay, a visual gallery exhibits selections of the designers best work in photographs and sketches. Presented in an irresistible small format, this series encapsulates the life, work, and influence of the great designers of our time.
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