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OurPrice: $49.27
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Jongerius
Room 606: The Sas House and the Work of Arne Jacobsen
by
Michael Sheridan (Author)
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Phaidon Press (Editor)
This text reconstructs a building that no longer exists, in order to rediscover a lost world of beauty and sensation and gain a new insight into the work of Danish architect Arne Jacobsen. That building is the SAS House, a luxury hotel and airline terminal completed in Copenhagen in 1960. Designed for the Scandinavian Airlines System at the dawn of the jet age, the SAS House was Jacobsen's masterpiece, a cumulative work that condensed the architectural strategies and formal devices of a lifetime into a single example of total design. The SAS House has been reduced to a shadow of its original condition. While the building is still used as a hotel and ticketing office, the distinctive interiors and fixtures that were an integral part of Jacobsen's masterwork have been discarded or altered beyond recognition. However, on the sixth floor of the hotel tower, a single guest room remains in its original condition, with the built-in woodwork, furniture, custom fabrics and surfaces that Jacobsen created for the 275 rooms of the SAS Royal Hotel. Room 606 is a microcosm of the larger building, and, examined in detail, provides the key to understanding the SAS House and, by extension, the underlying themes of Jacobsen's entire career. This book presents a very distinct way of looking at an architect's work, using the time capsule room 606 as a lens through which to examine Jacobsen's entire career. This is reflected in the structure of the book. The chapters are organized thematically, and each is articulated into three sections, which examine each theme as it applies to room 606, the SAS House, and Jacobsen's entire work. This structure is emphasized by the design as well as the visual material, which are also articulated in the same tripartite way. This structure and insight into the Danish architect's work is brought alive by a wealth of visual material, including a stunning collection of black-and-white images taken shortly after the completion of the SAS House by renowned architectural photographer Aage Struwing, who collaborated with Jacobsen for more than two decades; a portfolio of specially commissioned colour photographs by Paul Warchol that underline the contemporaneity of room 606; as well as original sketches and architectural drawings, many of which have never been published.
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OurPrice: $28.45
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Kiesler
Hella Jongerius
by
Louise Schouwenberg (Author)
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Phaidon Press (Editor)
Hella Jongerius combines traditional craft techniques with high-tech materials and manufacturing to produce objects that are strikingly new and provocative; her unique talent has created increasing "buzz" in the design world. Since 2000, she has exhibited her own work at The Museum of Modern Art in New York, the Institute of Contemporary Art in Philadelphia, and the Museum of Art and Design in Helsinki, in addition to exhibitions with Droog Design in Frankfurt, Milan, and Jerusalem and several exhibitions in The Netherlands. Among Jongerius's designs are her "B-Set" dinnerware (1998), which consists of simple porcelain that is fired at ultra-hot temperatures so that it warps and the finish crackles; while the dishes are a series, no two pieces are alike. As Louise Shouwenberg has commented, "the result is not an anachronistically perfect dinner service; rather it is a wobbly pile of serially-produced one-offs: plates with a soul". Jongerius's "Soft Vases" (1994) and "Pushed Soft Washtub" (1996) are cast in seamed polyurethane; and her new line of textiles for Maharan (2002) references classic old patterns and incorporates the dot patterns from the punchcards used to make the fabric. One of most talked-about designs to emerge from JongeriusLab is a high-tech modern folding chair based on an antique Ugandan wood chair. These designs and others at first glance can look familiar and simple, but behind the simplicity is Jongerius's careful consideration of an object's history, heritage, and archetypes. This monograph on Jongerius presents a visual "catalogue" of her career in a cinematic graphic layout, consisting of photographs and interview text running continuously from the front cover through the book pages to the back cover. Two essays by Louise Schouwenberg are interspersed within the book, addressing themes relating to Jongerius's work. Photographs by Joke Robaard show the objects in context, in factories, shops, museums, and studios in various countries. The photography aims to show the social and historic dimensions of the objects and Jongerius's approach. Also included are photographs by Jongerius of her design process over the years.
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OurPrice: $27.10
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Knoll Basset
Friedrich Kiesler: Designer
by
Tulga Beyerle (Author)
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Harald Krejci (Author)
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Monika Pessler (Author)
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Don Quaintance (Author)
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Frederick Kiesler (Contributor)
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Hatje Cantz Publishers (Editor)
Previously unpublished material relating to Austro-American artist/architect Friedrich Kiesler's (1890-1965) innovative furniture designs and prototypes from the 1930s and 40s are showcased in this comprehensive volume. Also included are letters, diary entries, and photographs that chronicle the New York cultural environment in which Kiesler lived and worked, and provide rarely documented insight into the role he played in the contemporary design scene. Shortly after emigrating to New York in 1925, Kiesler became an important mediator between European and American positions in the fields of design and architecture. In the following years, he designed furniture and exhibitions, and articulated the fundamental principles of a critical theory of functional architecture and design. Concepts that are being thoughtfully revisited by today's designers--flexibility, dynamism, and multifunctionality--were constant elements in Kiesler's theoretical constructs, as evidenced in this volume.
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Loewy
Knoll Furniture 1938-1960 (Schiffer Design Book)
by
Steven Rouland (Author)
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Linda Rouland (Author)
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Schiffer Publishing (Editor)
In the 1940s and 1950s, Knoll Furniture became symbolic of the modern design movement. This book catalogs furniture produced by the Knoll Furniture Company of New York during its first two exciting decades. Over 270 illustrations present forms by such influential designers as Eero Saarinen, Harry Bertoia, Isamu Noguchi, George Nakashima, Jens Risom, Ralph Rapson, and others. An easy-to-use identification guide includes production dates and designer attribution. Original catalog photographs and many from the Knoll Museum Archive, a company history, designer biographies, and a price guide are included. This book is an essential reference for all who are interested in modern furniture design.
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Loewy
Industrial Design
by
Raymond Loewy (Author)
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Overlook TP (Editor)
If there is a designer whose name is synonymous with industrial design it is Raymond Loewy (1893-1986). What Charles and Ray Eames are to furniture design, Raymond Loewy is to industrial design--the modern master. Among the literally thousands of his well-known forms, shapes, and designs are the Coca-Cola bottle, the Studebaker, the U.S. Post Office logo, streamlined trains and ocean liners, the Shell and Exxon logos, and the Lucky Strike package. In Industrial Design the pioneering half-century of Loewy's career is offered in a stunning visual presentation of his most famous design achievements together with his personal account of a life in design. With mid-century modern design experiencing an incredible resurgence, this book is a key reference for that look.
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OurPrice: $24.76
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Lovegrove
Never Leave Well Enough Alone
by
Raymond Loewy (Author)
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Glenn Porter (Introduction)
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The Johns Hopkins University Press (Editor)
Between the 1930s and the 1960s, Raymond Loewy's streamlined designs for thousands of consumer goods -- everything from toasters and refrigerators to automobiles and ocean liners -- radically changed the look of American life. Regarded as the father of modern industrial design, he appeared on the cover of Time in 1949; in 1990, he was selected as one of Life's "100 Most Important Americans of the 20th Century." Whether they realized it or not, Americans at mid-century lived in a Loewy-designed world, from the cigarettes they smoked (Lucky Strike's packaging), the soda they drank (the restaurant Coca-Cola dispenser), the toothpaste they used (Pepsodent's toothpaste tube), the cars they drove (his organization was Studebaker's design and styling department), the buses (Greyhound) and trains (the Pennsylvania Railroad) in which they rode, and the department stores (Gimbel's, Foley's, and Lord & Taylor) and grocery stores (Lucky) where they shopped. Never Leave Well Enough Alone was first published in 1951 at the height of Loewy's career. His company, Raymond Loewy Associates, served as design consultants to more than a hundred of the world's largest corporations, and products manufactured to their specifications sold in excess of $3 billion annually. Written and designed by Loewy, this profusely illustrated book is part autobiography and part design manifesto. Acclaimed for its wit, its idiosyncracies, and its insight into the Loewy aesthetic, this volume stands as a remarkable document of the American Century and a still-vital meditation upon the importance of industrial design in daily life.
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OurPrice: $51.06
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Mackintosh
Supernatural: The Work of Ross Lovegrove
by
Ross Lovegrove (Author)
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Phaidon Press (Editor)
This book is the first monograph on the product designer Ross Lovegrove. Written by the designer himself, with a forward by Paola Antonelli, it presents a complete overview of the designer's career, featuring realized and unrealized project. While the main texts explains Ross Lovegrove's philosophy and way of working, the products descriptions reveal the main feature and characteristic of every project. This book will present the work of Ross Lovegrove, one of the most interesting and fascinating individuals working in contemporary design. His work includes a wide range of products from furniture to high-tech products, from water bottles to airplane seats and explores the possibility of realizing sculptural and organic shapes through modern technology and material. Born in 1958, Lovegrove studied industrial design at Manchester Polytechnic and at the Royal College of Art in London. At the beginning of the eighties he started working for the industrial design consultancy Frogdesign in Germany, where he was assigned to projects for Apple and Sony. After this experience he became an in-house designer for Knoll in Paris where he developed different office systems. He went back to England in 1986 where he established his own practice and started to collaborate with the most important design manufacturers such as Kartell, Luceplan and Cappellini. He is currently working on a number of projects in Japan where he enjoys unparalleled success as a European designer. In recent years Ross Lovegrove has worked on a design concept that he likes to define as organic essentialism, inspired by elements and aesthetics taken from the natural world and reshaped in futuristic forms. His interest in this sort of new naturalism, which he terms supernatural, is accompanied by research into new materials, new applications and new methods of production. This combination of archetypal inspiration and up to date technology makes him one of the most interesting and unusual figures in the design world.
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Maurer
Charles Rennie Mackintosh
by
McLellan Galleries (Corporate Author)
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Charles Rennie MacKintosh (Editor)
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Wendy Kaplan (Editor)
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Abbeville Press (Editor)
Architect, interior designer, furniture designer, painter, and graphic artist, Charles Rennie Mackintosh (1868-1928) was a modern Renaissance man. This far-ranging book by the leading scholars in the field offers new information and ideas about many aspects of Mackintosh's work: his famous tea rooms, his distinctive furniture, and his evocative paintings. In addition, individual chapters are devoted to his two most remarkable surviving buildings, Glasgow School of Art and The Hill Houseboth illustrated with specially commissioned color photographs. The authors also provide a fresh and thoughtful look at Mackintosh's context in turn-of-the-century Glasgow and London while revising many of the myths that have long obscured his life and career. His extensive collaboration with his wife, Margaret Macdonald, and his working relationships with his mentors and patrons receive enlightening scrutiny as well. This authoritative volume - which accompanies a major retrospective with an international tour, organized by the Glasgow Museums - also contains an extensive chronology, a cast of characters, a selected bibliography, and an appendix of the Mackintosh buildings and interiors that are still in existence.
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Mollino
Ingo Maurer
by
Michael Webb (Author)
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Marisa Bartolucci (Editor)
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Raul Cabra (Editor)
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Chronicle Books (Editor)
Continuing to put great classic and contemporary design within everyone s grasp, Chronicle Books proudly delivers the next four installments of the popular Compact Design Portfolio. Written by top design critics, these books cover modern masters whose work ranges from the cozily domestic to the aggressively avant-garde: Eva Zeisel, whose elegantly democratic housewares span a 70-year career; Ingo Maurer, who raises lamp and lighting design to a high art form; Gaetano Pesce, whose rejection of traditional good taste brought about revolutionary furniture design; and George Nelson, the impresario behind the Marshmallow sofa and other Herman Miller classics. Follow-ing the introductory essay, a visual gallery exhibits selections of the designers best work in photographs and sketches. Presented in an irresistible small format, this series encapsulates the life, work, and influence of the great designers of our time.
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