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Paulin
Verner Panton - The collected works
by Mathias Remmele (Author) / Verner Panton (Author) / Vitra Design Museum (Author) / Vitra Design Stiftung (Editor)

With his visionary, colorful home furnishings, Danish designer Verner Panton sought ways to fashin a stylistically uniform, imaginative interior. His plastic Panton chair, a one-piece cantilevered design made in candy-apple colors, has been in production continuously since 1968, and its sinuous shape is recognizable to millions who have never heard the designer's name. By the early sixties, he had already helped establish a color spectrum that dominated home design until the mid seventies. This first comprehensive monogram on Panton's work also includes his "Phantasy Landscape," a foam rubber room of womb-like organic shapes designed for the Visiona II exhibition at the 1970 Cologne furniture fair. A must-have for lovers of late-twentieth century furniture and "interior landscape." Dimension: 9 x 12 inches, over 500 color reproductions, CD-ROM included.

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Perriand
Pierre Paulin
by Elisabeth Vedrenne (Author) / Pierre Paulin (Author) / Anne Marie Fevre (Contributor) / Dis Voir (Editor)

The popularity enjoyed today by the French furniture designer Pierre Paulin traces its roots back to the Pop era, when Paulin incarnated the Pop aesthetic perfectly in his unique and revolutionary chairs. It was during the early 1960s, when Andy Warhol was exhibiting his controversial Pop Art, and Brigitte Bardot was redefining sexual freedom, that Pierre Paulin designed his non-conformist chairs, changing radically the look of our interiors. Innovative and yet steeped in his times, a joyful modernist, he stages the body, and covers his egg-shaped chairs with mushrooms, oraange slices, flower petals, tongues, cough drops, sea shells, waves, half-open lips, and more. Sexy, playful, exuberantm yet comfortable, his furniture is above all supple and lively. This new entry in the Dis Voir design series presents his work with color images as well as critical texts.

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Perriand
Charlotte Perriand -- Livre de Bord
by Arthur Ruegg (Editor) / Birkhäuser Basel (Editor)

The acclaimed French designer Charlotte Perriand (1903-1999) worked in the studio of Le Corbusier in the late 1920s together with Le Corbusier and Pierre Jeanneret. The famous Corbusier furniture pieces are the result of this unique collaboration. A facsimile reproduction of Charlotte Perriand's 140 page Livre de Bord, her sketchbook during the years 1927-1933, is the centrepiece of this publication. Arthur Rüegg's introductory essay brings to life in text and image those pioneering years. His precise and detailed commentaries inspire an appreciation and understanding of the richness of each drawing. A 16 page dossier of illustrations recreates the famous 1929 Salon d'Automne and the original furnishings of Villa Church. Arthur Rüegg, Professor for Architecture and Construction at the ETH in Zurich, is the leading expert on Le Corbusier's interior design, furniture and colour theory.

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Pesce
Charlotte Perriand: A Life of Creation
by Charlotte Perriand (Author) / Monacelli (Editor)

In 1927, the French designer Charlotte Perriand -- then only twenty-four years old -- won instant acclaim for her design for the "Bar sous le toit" (bar in the garret), shown at the Salon d'Automne in Paris. The project brought her to the attention of Le Corbusier and Pierre Jeanneret, who asked Perriand to join their atelier. There she was put in charge of the furniture and fittings program and worked on such legendary designs as the sculptural chaise longue, the grand confort chair, and the fauteuil ? dossier basculant (sling chair).

Well known for her fundamental contribution to modern design, Perriand's adventurous life is somewhat more of an enigma. Her autobiography, Charlotte Perriand: A Life of Creation -- published in France in 1998 -- is the first major English-language volume on her career and personal history. Immediate and matter of fact, the text echoes Perriand's own direct character; the dozens of black-and-white photographs are for the most part drawn from her own archive.

In addition to her association with Le Corbusier, Perriand recounts her experiences in Russia, the Far East, and South America; she also discusses the projects she worked on after leaving Le Corbusier's atelier in 1937, ranging from a vast ski resort at Les Arcs to the "espace thé" (tea area) in the UNESCO garden in Paris. Her friendships with the great artists of the period, such as Fernand Léger, offer valuable insight into the artistic scene of the time. Perriand's fascinating memoir is unique not only in its firsthand depiction of the goals and tenets of the heroic period of modern architecture but also in its portrayal of a century of life in Paris.

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Pesce
Gaetano Pesce: Compact Design Portfolio
by Marisa Bartolucci (Editor) / Raul Cabra (Editor) / Chronicle Books (Editor)

Continuing to put great classic and contemporary design within everyone s grasp, Chronicle Books proudly delivers the next four installments of the popular Compact Design Portfolio. Written by top design critics, these books cover modern masters whose work ranges from the cozily domestic to the aggressively avant-garde: Eva Zeisel, whose elegantly democratic housewares span a 70-year career; Ingo Maurer, who raises lamp and lighting design to a high art form; Gaetano Pesce, whose rejection of traditional good taste brought about revolutionary furniture design; and George Nelson, the impresario behind the Marshmallow sofa and other Herman Miller classics. Follow-ing the introductory essay, a visual gallery exhibits selections of the designers best work in photographs and sketches. Presented in an irresistible small format, this series encapsulates the life, work, and influence of the great designers of our time.

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Pesce
Gaetano Pesce (Design Focus Series)
by Xu Wang (Editor) / Laetitia Wolff (Editor) / Gingko Press (Editor)



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Platner
Gaetano Pesce: Il Rumore Del Tempo
by E. Alberione (Author) / G.M. Beylerian (Author) / Gaetano Pesce (Author) / Silvana Annicchiarico (Editor) / Charta/Triennale di Milano (Editor)

As if mimicking Gaetano Pesce's emancipation of objects through design and thought, this monograph features a cover made of pig bristle, coconut fiber, and silicone (cut to mimic Pesce's profile--nose and all); perforated pages that the reader can tear to create a unique object; and a wide selection of the designs that have arisen from Pesce's outside-the-box thinking of the past five decades.

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Ponti
Knoll Furniture 1938-1960 (Schiffer Design Book)
by Steven Rouland (Author) / Linda Rouland (Author) / Schiffer Publishing (Editor)

In the 1940s and 1950s, Knoll Furniture became symbolic of the modern design movement. This book catalogs furniture produced by the Knoll Furniture Company of New York during its first two exciting decades. Over 270 illustrations present forms by such influential designers as Eero Saarinen, Harry Bertoia, Isamu Noguchi, George Nakashima, Jens Risom, Ralph Rapson, and others. An easy-to-use identification guide includes production dates and designer attribution. Original catalog photographs and many from the Knoll Museum Archive, a company history, designer biographies, and a price guide are included. This book is an essential reference for all who are interested in modern furniture design.

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Prouvé
Gio Ponti
by Ugo La Pietra (Author) / Rizzoli (Editor)



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