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1960 - 1969
Decorative Art 1960's (Taschen Specials)
by Charlotte Fiell (Author) / Peter Fiell (Author) / Taschen America Llc (Editor)

Pop and space age interiors: Highlights from Decorative Art, The Studio Yearbook...

TASCHEN's Decorative Arts series, whose six installments span the 20th century up through the 1970s, carefully reproduces the best of Decorative Art, The Studio Yearbook. Published annually from 1906 until 1980, the yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. Preserving the yearbooks' original page layouts, TASCHEN's Decorative Arts books bring you the authentic experience of each decade's design trends and styles.

Decorative Arts 1960s looks at the birth of pop in a decade of unprecedented social, sexual, and political change. All the restless energies bubbling throughout the world during the 1960s made their way into the design style of the decade. Liberation was in the air, men were rushing to the moon, and the sky was the limit as far as visual creativity was concerned. The concept of lifestyle really came into its own, and although the early years of the decade still saw a rivalry between the well-crafted object and industrial manufacture, by its end both ethnic and pop iconography had gained equal foothold in the aesthetic. Light was also pedominant in shaping interiors. Freedom of choice and personal expression were the buzzwords for the young consumer, and so the likes of Pasmore, Panton, Safdie, Sottsass, Paolozzi, and Lomazzi did what they could to oblige.

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1970 - 1979
Sixties Design
by Philippe Garner (Author) / Taschen (Editor)

During the decade many associate with the Beatles, hippies, and flower power, designers in Europe, Asia, and the Americas were fundamentally rethinking modernist principles. Sixties Design is a documentation and analysis of that era during which belief in modernist design began to crumble. As modernism--the foremost design mode of the 20th century--reached its golden years, it came to be considered by many an autocratic, almost fascistically impersonal movement that strove to raise the standards of large groups by ignoring the peccadilloes of individuals. At the same time, the modern era and its designers are responsible for remarkable innovations that have forever changed the way we live, work, and play. The book captures an interesting moment during which modernism and its refutations began to coexist.

Author Philippe Garner breaks the book up into five sections. In each he addresses a different aspect of the designed '60s, and his insights add dimension to the hundreds of illustrations. He makes connections between the cold war and Jane Fonda's erotic antics in a fur-lined spaceship from the movie Barbarella--with photo-documentation to boot--and he provides a startlingly lucid and economical analysis of Swedish modern furniture design in the context of minimalist principles and the craft revival. From Florence Knoll's office designs to Oscar Niemeyer's unparalleled "master plan" city, Brasilia; from Richard Avedon's fashion photography to Neal Armstrong's space walk, Sixties Design offers countless vistas from which to rethink a decade too long associated with paisleys and free love. --Loren E. Baldwin

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1990 - 1999
Decorative Art 70s (Decorative Art)
by Charlotte P. Fiell (Author) / Peter Fiell (Author) / Taschen (Editor)

Experimental futurist decor: Highlights from Decorative Art, The Studio Yearbook...

TASCHEN's Decorative Arts series, whose six installments span the 20th century up through the 1970s, carefully reproduces the best of Decorative Art, The Studio Yearbook. Published annually from 1906 until 1980, the yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. Preserving the yearbooks' original page layouts, TASCHEN's Decorative Arts books bring you the authentic experience of each decade's design trends and styles.

This volume spotlights the futuristic, experimental aesthetic of the 1970s. After the revolutions of the '60s, the world of design and architecture became an increasingly exciting and fast-moving hotbed of ideas, rife with vehemently opposing schools and movements. In many ways it was a more extreme era for design than the previous decade. Experimentalism was everywhere, and many projects, thought not practical, were forward-thinking visions of a new kind of decorative art and design. Various groups advocated returning to natural methods, rejecting style in favor of craft or pushing the logic of industrial living to its concrete, high-rise extreme. Decorative Arts 1970s includes the work of the decade's brightest stars, such as Afra and Tobia Scarpa, Luigi Coltani, Ettore Sottsass, Achille Castiglioni, Kisho Kurokawa, Norman Foster, Richard Meier, and Theo Crosby.

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1990 - 1999
50 Products: Innovations in Design and Materials (Pro-Design Series)
by Mel Byars (Author) / Watson-Guptill Publications (Editor)



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1990 - 1999
American Contemporary Furniture
by Marisa Bartolucci (Author) / Cathy Lang Ho (Author) / Raul Cabra (Editor) / Dung Ngo (Editor) / Universe Publishing (Editor)

The most visually stimulating, cutting-edge presentation of contemporary furniture design in America ever published, this book presents in unprecedented graphic detail the work of the most promising American furniture designers of today and beyond. Here, as you view the extraordinary work of Portland, Maine's Angela Adams, New York City's Harry Allen and Karim Rashid, Minneapolis's Blu Dot Design, San Francisco's Jeff Covey-- and more than 70 others-- you'll discover why Americans have advanced to the forefront of the world's contemporary furniture design community. A sourcebook of great utility for the trade, it also serves as a tremendously informative guide for style-conscious consumers and students of design.


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1990 - 1999
International Design Yearbook
by Jasper Morrison (Editor) / Michael Horsham (Editor) / Jennifer Hudson (Editor) / Abbeville Press (Editor)

In this, the twenty-first edition of the leading international showcase of domestic design, guest editor and acclaimed Spanish designer Patricia Urquiola surveys the best furniture, lighting, tableware, textile and product designs of the last two years. Her eclectic selection ranges from futuristic kitchen products to chandeliers glowing and moving like jellyfish to wallpaper ripe with political imagery. The latest technologies are also featured, including a pen-shaped, Art Deco cellular phone from Nokia, the newest wireless music centers from Sonos and Phillips, and Apple's most recent i-Pod variations and accessories.

Each object is illustrated with the superb photography that has helped earn the series its excellent reputation. In addition, full technical information, including a web address, is provided for each entry. Introductions by the editors provide insight into both the selection and the trends and issues currently influencing the design world. Designers whose work is featured in the book include key luminaries such as Ron Arad, Tord Boontje, Andrea Branzi, Tom Dixon, Zaha Hadid, Ross Lovegrove, Ingo Maurer, Jasper Morrison, Gaetano Pesce, Karim Rashid, Richard Sapper, Philippe Starck and Marcel Wanders. A biography is provided for each designer.

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2000 - 2009
Products of Our Time
by David Redhead (Author) / Birkhäuser Basel (Editor)

A book about design in an age of technological revolution. It explores our relationship with the objects which surround us, arguing that contemporary design?from plastic surgery to Prozac, from landmines to Tamagotchis?is instant cultural history: a window through which we can observe ourselves and perhaps even make sense of our world. Products of Our Time categorises design in the 1990s into a number of key themes. It tracks the move from cheap, 'no-brand' supermarket goods to the up-market minimalism of much of today's packaging; it examines the way in which design is used to create our own identity, including the ways in which we pierce, decorate and change the design of our own bodies; and it looks at the design of electronic objects and the ways in which technology reflects a cultural drift towards violence and high speed. Published to coincide with a major international touring exhibition, starting in Glasgow from November 1999 to February 2000.

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2000 - 2009
1000 New Designs and Where to Find Them: A 21st-Century Sourcebook
by Jennifer Hudson (Author) / Laurence King Publishers (Editor)

Bringing together the best of contemporary design for the home, this is a comprehensive roundup of 1,000 striking and innovative objects produced in the last five years. It covers furniture, storage, lighting, textiles, carpets and rugs, bathrooms, table- and kitchenware, and electronic products. Web addresses of designers and manufacturers are given for every object, along with full captions and color illustrations, making every design easy to source. Captions provide details of materials and dimensions, numerous commentaries give an insight into currently developments in design, and there is also a listing of all the best design stores around the world. Work by the likes of Philippe Starck, Jasper Morrison, Ron Arad, Marcel Wanders, the Campana brothers, Karim Rashid, Ross Lovegrove, Tom Dixon, Michele de Lucchi, and Constantin Boym are featured as well as revealing interviews with thirty top designers.

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2000 - 2009
Design Innovations Yearbook 2002: Red Dot Award: Product Design
by Peter Zec (Editor) / Birkhauser (Editor)

The red dot award for product design is an internationally renowned competition which gives prizes for excellence in all fields of industrial production, from tableware to vehicles, from communication to multimedia, culture and sport. This book is the unique documentation of the entries and prizewinners, providing an overview of the cutting edge trends and future perspectives in international product design. It also contains an introductory essay and a report on the design team of the year. It is a must for all designers everywhere.

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