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The Jazz Age in France
by
Charles A. Riley II (Author)
/
Harry N. Abrams (Editor)
France between the wars saw a dynamic mix of larger-than-life personalities and unconventional ideas, audacity and genius, elegance and edge. Artists, musicians, writers, dancers, composers, the American, French, and other European characters who comprised the "Lost Generation" were all there: Hemingway, Dos Passos, Dorothy Parker, George Gershwin, Cole Porter, Stravinsky, Picasso, Cocteau, Man Ray, Léger, Balanchine, Diaghilev, Fitzgerald. This riveting portrait re-creates the glamour, excitement, and intellectual fervor of Jazz Age France, drawing on fresh, never-before-seen material. A special feature is a chapter on the little-known generation of African-American artists who left Harlem to work in France.
Writing in a vivid style that transports the reader back to that vibrant time, Charles Riley presents a panorama of the arts scene in Paris and the Riviera in the 1920s, providing fascinating insights based on letters, diaries, journals, and private archives as well as art. Highlights include never-published paintings by Picasso and Léger; previously unknown works by e. e. cummings and John Dos Passos; and intimate photographs of the era from family albums belonging to this circle of friends, who were among the world's great artists and writers. AUTHOR BIO: Charles A. Riley II, professor of English at Baruch College of the City University of New York, is the author of several books on aesthetics and art, including two Abrams titles: The Art of Peter Max and Ben Schonzeit: Paintings. He lives in New York City.
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OurPrice: $9.97
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The Rise And Fall Of Ziggy Stardust
by
Virgin Records Us (Editor)
After flirting with heavy guitar rock ("The Man Who Sold the World") and lighter pop ("Hunky Dory"), Bowie found middle ground on Ziggy Stardust. The creation of the Ziggy Stardust persona would live on well after Bowie shed the alien skin, marking the first rock concept album by a sexually ambiguous, artistically bent musician who confounded critics at every turn. A blend of dramatic strings, swaggering saxophones, jagged guitars, and theatrical arrangements, the album's darker rock numbers like "It Ain't Easy," "Moonage Daydream," "Ziggy Stardust," and the irresistible "Suffragette City," still serve as solid excursions into the future (then and now) of rock. The buoyant "Hang on to Yourself" and the dreamy "Star" offer hints of optimism in Ziggy's bleak world. The dramatic "Rock 'n' Roll Suicide" and the image-heavy "Star Man" ("he'd like to come and meet us but thinks he'd blow our minds!") no doubt provided plenty of stage-worthy moments when Ziggy toured in the '70s, but years later they still thrill. Bowie blew our minds! --Lorry Fleming
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OurPrice: $9.97
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Blue Train
by
Blue Note Records (Editor)
Blue Train is one of those ineffable sound recordings that actually seems to capture a moment of perfect artistry. Coltrane was in the midst of a Prestige recording contract but was able to honor a previous commitment to Blue Note and release this one album. With four Coltrane originals, including the haunting theme of the title track, and one standard, this recording showed Coltrane was becoming the complete package: player, composer, and bandleader. What distinguishes this session from the Prestige dates of the same time is the easy, relaxed, and obviously well-rehearsed playing of the group, and the usual masterful recording by Rudy van Gelder. This enhanced CD-ROM also features two alternate takes. The well-designed multimedia elements, including musician interviews and pictures from the famous van Gelder studio, round this stellar session into an experience that informs and delights over and over. --Michael Monhart
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Top Secret
by
Nettwerk Records (Editor)
If you like St. Germain, you will love Marc Moulin!
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OurPrice: $10.97
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Tourist
by
Blue Note Records (Editor)
Exclusive Import only 2 CD set includes a three track bonus CD which features an exclusive mix of 'Sure Thing' (Todd Edward's Deepline Remix) along with two mixes of his first single, 'Rose Rouge' (Blaze Early Shelter Mix) & (Spiller Rogue Mix). Signed to Blue Note for the world this is a great jazz/dance fusion record. Perfect for those dinner party's! Limited edition. Slimline double jewel case.
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OurPrice: $13.99
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Unplugged
by
Reprise / Wea (Editor)
Eric Clapton Merchandise
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OurPrice: $7.97
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The Velvet Underground & Nico
by
Polydor / Umgd (Editor)
When the Velvets recorded this debut, they were best known as the protégés of Andy Warhol (who designed the sleeve), and as a grating, combustive live band. Fueled by drummer Moe Tucker's no-nonsense wham and John Cale's howling viola, some of the straight-up rock & roll and arty noise extravaganzas here bear that out. But before Lou Reed was singing about sadomasochism and drug deals and writing lyrics inspired by his favorite poets, he was a pop songwriter, and this album has some of his prettiest tunes, mostly sung by Nico, the German dark angel who left the band after this disc. Even the sordid rockers are underscored by graceful pop tricks, like the two-chord flutter at the center of the classic "Heroin." --Douglas Wolk
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OurPrice: $10.99
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Violator
by
Reprise / Wea (Editor)
Import remastered pressing of Violator which is Depeche Mode's most mainstream, chart-climbing album. Although it contains only nine tracks, half of them are tailor-made for the dance floor. This album was conceived when dance-club DJs were gaining recognition alongside original composers. Heavily influenced by techno-pop, the singles 'Policy of Truth', 'Enjoy the Silence', and 'World in My Eyes' prove that DM did their homework. A particular highlight on this fantastic album is the bluesy guitar line Martin Gore lays down on top of the synth-dominated grooves on 'Personal Jesus'. Mute. 2006.
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OurPrice: $17.97
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Who's Next (Deluxe Edition)
by
Mca (Editor)
Believe it or not, this landmark album, the record that changed FM rock forever in the early-'70s, has never been reissued from the original master tapes...'til now! But that's only the beginning...in addition to the original nine tracks, disc one adds six bonus tracks that were recorded at The Record Plant in March 1971, ('Baby Don't You Do It', 'Getting In Tune', 'Pure and Easy', 'Love Ain't For Keeping', Behind Blue Eyes' & 'Won't Get Fooled Again') three of which have never been available and the other three of which are here in their full-length versions for the first time. Then disc two captures a largely-unreleased April 26, 1971 gig at London's Old Vic Theatre (including the previously unreleased tracks - 'Love Ain't For Keeping', 'Pure And Easy', 'Young Man Blues', 'Time Is Passing', 'Behind Blue Eyes', 'I Don't Even Know Myself', 'Too Much Of Anything', 'Getting In Tune', 'Bargain', 'My
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