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(un)Fashion
by Tibor Kalman (Author) / Maira Kalman (Author) / Harry N. Abrams (Editor)

(un)FASHION scans the globe to show how real people dress: at work and at play, on the streets, and for ceremonial occasions. This witty, eye-popping book offers a delightfully unconventional view of contemporary fashion as seen in the creative ways that people around the world adorn their bodies. The brainchild of the late Tibor Kalman, one of the graphic design geniuses of the 20th century, and completed by his wife and partner, Maira Kalman, (un)FASHION presents its provocative observations through dynamic images by some of the world's foremost photojournalists.

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Taken by Design: Photographs from the Institute of Design, 1937-1971
by David Travis (Editor) / Elizabeth Siegel (Editor) / University Of Chicago Press (Editor)

One of Chicago's great cultural achievements, the Institute of Design was among the most important schools of photography in twentieth-century America. It began as an outpost of experimental Bauhaus education and was home to an astonishing group of influential teachers and students, including Lázló Moholy-Nagy, Harry Callahan, and Aaron Siskind. To date, however, the ID's enormous contributions to the art and practice of photography have gone largely unexplored. Taken by Design is the first publication to examine thoroughly this remarkable institution and its lasting impact.

With nearly 300 illustrations, including many never-before published photographs, Taken by Design examines the changing nature of photography over this critical period in America's midcentury. It starts by documenting the experimental nature of Moholy's Bauhaus approach and photography's new and enhanced role in training the "complete designer." Next it traces the formal and abstract camera experiments under Harry Callahan and Aaron Siskind, which aimed at achieving a new kind of photographic subjectivity. Finally, it highlights the ID's focus on conscious references to the processes of the photographic medium itself. In addition to photographs by Moholy, Callahan, and Siskind, the book showcases works by Barbara Crane, Yasuhiro Ishimoto, Joseph Jachna, Kenneth Josephson, Gyorgy Kepes, Nathan Lerner, Ray K. Metzker, Richard Nickel, Arthur Siegel, Art Sinsabaugh, and many others. Major essays from experts in the field, biographies, a chronology, and reprints of critical essays are also included, making Taken by Design an essential work for anyone interested in the history of American photography.


Contributors include:
Keith Davis, Lloyd Engelbrecht, John Grimes, Nathan Lyons, Hattula Moholy-Nagy, Elizabeth Siegel, David Travis, Larry Viskochil, James N. Wood


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Temporary Spaces
by Martin Eberle (Author) / Robert Klanten (Editor) / Gestalten Verlag (Editor)

Berlin?s club scene, an international benchmark for improvised coolness, is defined by its software: people, fashion, music, performance, drama. Spanning a period of 10 years, Martin Eberle?s stunning photographs are the first to document these locations as they really are. By radically reducing them to their hardware, the empty space, juxtaposing run-down facades and lovingly crafted interiors (from improvised to hysterically glamorous) with architectural brutality, he perfectly captures their legendary, ramshackle hipness.

Filling and contrasting this vaguely unreal, static void are personal anecdotes by well-known promoters and club patrons who have "already collapsed in pretty much every corner".

Encased in tactile white reptile print Temporary Spaces simultaneously serves as he nostalgic documentation of a spectacular era, a personal photo album and an uneasy declaration of love for the transience and enthusiasm reverberating in the clean accuracy of these pictures.

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The Abrams Encyclopedia of Photography
by Quentin Bajac (Author) / Christian Caujolle (Author) / Harry N. Abrams (Editor)

Photography is a revolutionary art medium that has changed the way in which the world is presented. It has become an indispensable mode of communication and a vital means of revealing and explaining the world. This comprehensive encyclopedia traces the amazing journey of photography, from the invention of the daguerreotype in 1829 to the digital photograph of today.

In outlining nearly two centuries of this innovative art form, the book touches on some of the medium's key themes, from portraits, nudes, and still lifes, to sports and fashion photography, photojournalism, news coverage, and NASA images. A team of specialists in the field explain photographic techniques and examine the various approaches to photography around the world. Using pictures that have changed our way of looking at the world, such as Eadweard Muybridge's Galloping Horse, and featuring biographies of 200 of the greatest photographers of all time-from Mathew Brady to Cindy Sherman-the encyclopedia delivers the complex history of photography in a format that will appeal to any reader. AUTHOR BIO: Christian Caujolle created the photo agency l'Agence VU in 1986. He has curated numerous international exhibitions and published monographs on a wide range of photographers. Quentin Bajac was curator of the Musée d'Orsay from 1995 to 2003. Today he is photography curator at the Musée National d'Art Moderne, Centre Georges Pompidou. Brigitte Govignon is an art historian and creator of the "Small Encyclopedia" series, of which this book is the fifth title. She also works for the French publisher Gallimard on its Folio collection.

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Train Stations : Whistle Stops, Rail Stations of North America
by Alexander D. Mitchell (Author) / Courage Books (Editor)

Here's a pictorial history of the stations, depots, whistle stops, and roundhouses that have served as stopping points and commerce centers across North America for the last 200 years. With more than 100 great photographs, both vintage and contemporary, it's amust for any railway enthusiast.


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Visions of Wright
by Farrell Grehan (Author) / Terence Riley (Contributor) / Bulfinch (Editor)



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Water Towers
by Bernd Becher (Author) / Hilla Becher (Author) / The MIT Press (Editor)

Hilla and Bernd Becher's cool, objective photographs of industrial structures have earned them a special position in international photography. Although their work is widely collected by American dealers and institutions and shown in New York galleries, this is the first time that it has been published in book form in the United States.

The Bechers' 224 photographs of watertowers comprise a unique, single minded, even obsessive mission. They were taken from as many as 8 angles, over a period of 25 years, with a stylistic approach so consistent that photographs juxtaposed from the 1950s and 1980s suggest a minute to minute account deadpan portraits of unadorned metal, concrete, and wooden structures.

Always taken in overcast skier, or in the hazy sunlight of industrial zones, these seemingly artless photographs belle the elaborate process and decisions involved in creating them elevating the camera on scaffolds or ladders, waiting for clouds to block the sun, enlisting the cooperation of plant foreman and security guards to remove all signs of human life from the scene.

The Bechers refer to their photographs as "typology" or "typologies of topographies," situated between established categories such as art and photography. Their work is distancing, deliberately unglamorous, departing from the usual style of architectural photography. Almost everything they photograph is eventually demolished.

Hilla and Bernd Becher began their collaborative enterprise in 1957, when they did a study of workers' houses in their native Germany. Through the years, their extensive documentation of industrial landscapes has taken them outside of Germany to France, England, Scotland, Wales, Holland, and the United States. The Bechers follow in a distinguished line of German photographers active in the Rhineland, including August Sander, Albert Renger-Patzsch, and Werner Manz, all of whom contributed in different ways to the definition of "objective" photography.

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