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Le Corbusier
Le Corbusier Before le Corbusier: Architectural Studies, Interiors, Painting and Photography, 1907-1922
by Stanislaus von Moos (Editor) / Arthur Ruegg (Editor) / Yale University Press (Editor)

In his numerous writings, Le Corbusier remained uncharacteristically silent about his early career. This text examines his nascent years as a designer and architect, focusing on the period from 1907 to 1922 - the year he changed his name from Charles Edouard Jeanneret and established his identity as Le Corbusier. The contributors to the book offer an account of Le Corbusier's formative years and the cultural, intellectual and artistic concerns that absorbed him as a young artist in Switzerland and Paris. From 1907 to 1922 Jeanneret learned the art and craft of architecture and design, and defined his own image as an artist. The volume discusses the cultural climate of his Swiss hometown, La Chaux-de-Fonds; his early mentors, friends and clients; his educational pursuits, including his self-designed Grand Tour; and his first successes as an architect and designer. More than 350 illustrations - including architectural drawings and models, watercolours, sketches, photographs and furniture - show the wide range of young Le Corbusier's work and illuminate the principal themes and issues of his formative years.

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Le Corbusier
Le Corbusier Le Grand
by Editors of Phaidon (Author) / Phaidon Press Inc. (Editor)

LE CORBUSIER LE GRAND is the only book you'll ever need on the world's most influential architect.


''He is the Leonardo of our time.'' - Eero Saarinen


''He has provided enough for a whole generation to live on.'' - Walter Gropius


''The world's greatest architect.'' - Oscar Niemeyer


''Without question No. 1.'' - Philip Johnson


Le Corbusier (1887-1965) is known as of one of the giants of twentieth-century architecture and design. The Swiss-born, self-named architect was not only the creator of some of the most impressive buildings of the last century, he was also an accomplished painter, sculptor, furniture designer, urbanist, and author. His work and social theories continue to be a dominant force today, and his elegant manner, typified by his iconic round black eyeglasses, is still the signature look for architects around the world. Only a book grand in size could encapsulate such a legendary figure.

Phaidon Press is pleased to announce the publication of LE CORBUSIER LE GRAND, a spectacular visual biography of the life and work of the father of Modern architecture. Weighing in at 20 pounds, this massive book is packed with 2,000 images and documents, many rare or previously unpublished. Drawing on an array of archival materials, this sumptuous volume depicts not only the vast and varied output of Le Corbusier, but also the major events, people, and forces that shaped the life of a man who continues to fascinate those in and outside the architectural world.


LE CORBUSIER LE GRAND follows the same dramatically oversized design of the critically acclaimed Andy Warhol Giant Size (Phaidon, 2006). The large format enables the reader to explore in detail a myriad of fascinating photographs, letters, personal correspondence, art works, notes, press clippings, sketches, and ephemera all featured in this one of a kind publication. The rarely seen photographs and correspondence shed new light on Le Corbusier's relationships with Josephine Baker, Eileen Gray, Fernand Léger, Pablo Picasso, and many others. A separate booklet includes transcriptions and translations (from French to English) of all featured documents.

LE CORBUSIER LE GRAND includes an insightful introductory essay by Jean-Louis Cohen, one of the world's most authoritative architectural historians, and incisive chapter introductions by Tim Benton, a highly regarded Le Corbusier scholar. This luxurious book is a striking addition to any coffee table, making it an extraordinary gift for anyone with an interest in art, architecture, or design.

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Le Corbusier
Le Corbusier Talks with Students
by Le Corbusier (Author) / Princeton Architectural Press (Editor)

First published in France in 1943 and translated for English-speaking readers in 1961, Le Corbusier Talks with Students presents advice and commentary from the master of modernism for young architects-to-be.
In chapters ranging from "Disorder" to "The Construction of Dwellings" to "A Research Workshop," Le Corbusier discusses his views on architectural history and offers opinions on the future of the profession, while touching on his own projects for the Villa Savoye, the Cit Universitaire, and the Radiant City. Topics such as architecture's role in our directionless society; the balance between spiritual values and technical factors; and the importance of space, proportion, and color are explored by this renowned architect, and still resonate today, almost 50 years later.
Our reprint of this classic text is a facsimile of the 1961 edition, now available as an affordable paperback.

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Le Corbusier
Le Corbusier: Inside the Machine for Living
by George H. Marcus (Author) / Monacelli (Editor)

The ideas of Le Corbusier on modern furnishings, modern houses, and modern cities are still, more than three decades after the architect's death, persuasive and extremely influential. He considered the objects of daily life -- a chair, a cabinet, a bottle -- as "tools," elements whose form and function could be rationally resolved and then standardized. His own metal furniture, designed in collaboration with Pierre Jeanneret and Charlotte Perriand, was based on strict conceptions of utility and typology that nevertheless resulted in pieces that were among the most elegant and luxurious creations of modern design. While Le Corbusier's reputation was based on his rhetoric of functionalist utility, standardization, and the machine, his rational approach was modulated by human experience and had a poetic and complex relationship to the built and furnished environment.

In this authoritative volume, George H. Marcus analyzes this relationship as it informed Le Corbusier's domestic interiors and furnishings spanning his entire career, from the revolutionary Esprit Nouveau pavilion of 1925 to the celebrated Villa Savoye to the controversial Unité d'Habitation in Marseilles and other works of his later years. Marcus pays particular attention to the often unappreciated role of color in these projects and focuses in great detail on the seminal pieces of furniture produced by Le Corbusier's studio -- including the famed grand confort chair and chaise longue - documenting not only the conditions surrounding their conceptualization and design but also the vicissitudes of their original production and their continuing manufacture. Extensively illustrated with new color photography, archival photography, and the architect's sketches and drawings, Le Corbusier: Inside the Machine for Living offers fresh insight into this relatively little-studied aspect of the great architect's career.

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Le Corbusier
Le Corbusier: The Art of Architecture
by Le Corbusier (Author) / Alexander von Vegesack (Editor) / Mateo Kries (Editor) / Vitra Design Museum (Editor)

One of the key figures in 20th-century architecture, Le Corbusier had an impact that is still potent today. Whether admirers are making a pilgrimage to his intimate, evocative chapel at Ronchamps, or urban planners are reviling his monolithic apartment blocks as inhuman and unlivable, Le Corbu still has the power to inspire and polarize the architecture and urban-planning world. This richly illustrated monograph, based on the first major Le Corbusier retrospective in more than 20 years, presents an overview of his work, including not only architectural projects, interior design and furniture, but also paintings, textiles, sculpture, drawings, and books.

Full of new discoveries and perspectives for longtime followers of Le Corbusier's work, this book is based on a rich trove of previously unpublished material, and on the latest research. Essays by well-known Le Corbusier experts examine aspects of his work, including the relationship between sculpture and architecture, his work as an interior designer, his fascination with new media and the technical object, and his lifelong interest in Asia. A comprehensive introduction to the work and influences of the architect of the century, a title that he fully deserves. With texts by Stanislaus von Moos, Jean-Louis Cohen, Arthur Ruegg, Beatriz Colomina, Mateo Kries, and others.

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Le Corbusier
Le Corbusier: The Poetics of Machine and Metaphor (Universe Architecture Series)
by Alexander Tzonis (Author) / Universe Publishing (Editor)

No other architect since Palladio has exercised such an immense influence as Le Corbusier. As with Einstein and Picasso, Le Corbusier made an impact that was felt within but also outside his special discipline. Through numerous buildings, urban projects, paintings, sculptures, drawings, and publications, he succeeded to develop a unique poetics of machine and metaphor, revolutionizing the way people see, use, and make architecture. More than a modern architect, Le Corbusier was the architect of modern life.

The present monograph discusses Le Corbusier's oeuvre in a concise global manner in relation to the revolutionary developments of the century in which it was born. It shows how Le Corbusier worked within the context of new philosophical ideas; the avant-garde culture; the social, economic, and political movements; and new technology, achieving more than a delicate balance-- a synthesis. But it demonstrates also that Le Corbusier was a creator who conceived, enticed, and shaped many of these developments. As well as being the architect of the twentieth century, Le Corbusier is a prototype of human creativity.


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Le Corbusier
Maison Curutchet:
by Alejandro Lapunzina (Author) / Princeton Architectural Press (Editor)

The Maison Curutchet in Argentina is one of the most interesting buildings?in Le Corbusier's oeuvre: it is the only single-family dwelling the?architect designed in the late 1940s, and it is one of his very few built?projects in the Americas. Commissioned in 1948 by Dr. Pedro Domingo?Curutchet, the house was designed by Le Corbusier without any direct?contact with the client. For many years it has been surrounded by an air?of controversy over its authorship and unique evolution.?

?The Maison Curutchet is a fascinating representation of Le Corbusier's?transitional period, stylistically as well as chronologically bridging the?purism of his buildings from the late 1920s and the maturity of his later?work in India.?

?Like The Danteum, Park G?ell, and Casa Malaparte,?this book offers an in-depth analysis of a single building through?original documents, drawings, and photographs and through critical?examination of a unique design process.

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Le Corbusier
Nature and Space: Aalto and Le Corbusier
by Sarah Menin (Author) / Routledge (Editor)

This book is a unique comparative study of two of the greatest figures in modern architecture - Le Corbusier and Alvar Aalto. By assessing the historical, personal and intellectual influnces of their attitudes to nature and the creative direction of their work, this study offers a new understanding about the diversity at the heart of their modernism.
Through an analysis of the architects' own writing about their ideas and philosophies, a better understanding is gained of their ideas for urban living and by looking at their most widely known work, the authors analyse the architects' intentions to build nature into the heart of their architecture. The authors argue that there are many similarities between the attitudes towards nature held by Le Corbusier and Aalto, and that these similarities had an important place in the generation of their architecture.

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Libeskind
The Chapel at Ronchamp: Building Blocks Series (Building Block Series)
by Ezra Stoller (Photographer) / Princeton Architectural Press (Editor)

The Building Blocks series presents icons of modern architecture as interpreted by the most significant architectural photographers of our time. The first four volumes feature the work of Ezra Stoller, whose photography has defined the way postwar architecture has been viewed by architects, historians, and the public at large. The buildings inaugurating this series--Eero Saarinen's TWA Terminal, Wallace Harrison's United Nations complex, Le Corbusier's Chapel at Ronchamp, and Paul Rudolph's Yale Art and Architecture Building--all have bold sculptural presences ideally suited to Stoller's unique vision. Each cloth-bound book in the series contains at least 80 pages of rich duotone images. Taken just after the completion of each project, these photographs provide a unique historical record of the buildings in use, documenting the people, fashions, and furnishings of the period. Through Stoller's photographs, we see these buildings the way the architects wanted us to know them. In the preface to each volume Stoller tells of his personal relationship with the architect of each project and recounts his experience photographing it. Brief introductions reveal the unique history of each building; also included are newly drawn plans.

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